Three Time Aesthetic Realms Of Classical Chinese Poetry

Since the 20th century, modern research has abandoned the traditional scientific view. Moreover,it stands as the core issue in neoteric and modern times. By associating time with being to understand and explain what existence is, Heidegger opened a new epoch in western philosophy. With time involved in philosophy, he almost overthrew, or exceeded the overwhelming metaphysical tradition in western philosophy. Meanwhile, he renewed or promoted men's consciousness of time for thousands of years. As Heidegger confirmed, time is the Horizont for being and the primitive Horizont where being is explained. With the theme of Time Aesthetics and based on Heidegger's ontology time theory, this article aims to place aesthetics in the Horizont of time for operation to explore the origin of aesthetics and its Zeitlichkeit feature. Classical Chinese Poetry has the three aesthetic perception of time, that is "going with time","changing with time" and "to be without time." First of all, the performance of Chinese poetry out by the Chinese natural philosophy, in particular the influence of Confucian philosophy, advocating close between man and nature, people naturally produced, can only find their natural place, in accordance with the inherent rhythm of the universe Organization of daily life and charm, in fact, intuitive way is to grasp the essential meaning of life and existence. In the natural rhythm of the ancient Chinese experience in harmony with the eternal life and time stretching to create a long history and culture of the Chinese nation, which advocated the Confucian way of life " going with time ", that is accompanied by the natural rhythm of the footsteps of people , in harmony with the time shoulder to shoulder. The existence of such a dynamic show to the world filling the beauty of life; Second, the Chinese classical poet under the influence of Taoist philosophy, showing the vast expanse of the universe in pursuit of " changing with time " , informal in shape. This is the grasp of Heidegger stresses of life zeitlichkeit, seize the opportunity to allow individuals the freedom of life on uninhibited beauty; In addition, classical Chinese poetry is also deeply ideological influence of Buddhism to pursuit the eternal beauty. So the three classical Chinese poetry aesthetic realm demonstrated that real world exists in nature can only be an aesthetic,.If zeitlichkeit is the manifestation of this characteristic, then the aesthetic is the ultimate properties of zeitlichkeit.