The Beauty Of Toughness: The Research Of Mongolian Aesthetic Perception

In the perspective of the anthropology, the core and root of Mongolian aesthetic perception is the beauty of toughness. This thesis discusses with the method of anthropological perspective, that is: folk standpoint, the original toughness research, analysis of archetypal image, transnational and cross-cultural comparative study. This research methods provides a feasible thinking pattern for anthropology criticism and seeks for the meaning of the beauty of toughness to present.This thesis makes investigation on how the Mongolian aesthetic form develop and continue in Mongolian literature history process by the lasting mode, then Mongolian aesthetic ideas of beauty in the literature of rigid land explored.The content we have explored including Mongolia and Mongolian ancients' the ritual activities, the custom of production and life, folk culture and so on. The three elements we have explored including the Mongolian geographic natural conditions, the primitive religion, history of migration. On the foundation of that, We have investigated generative mechanism of the beauty of toughness completely by synchronic mode.The paper focus on probing into the beauty of toughness: the core and root of Mongolian aesthetic perception is the beauty of toughness. Analyzes its cultural connotation of aesthetic perception of NingLi, PuYe, JinJian and Primitive power. Representations of archetypal image of the beauty of toughness are natural archetypal image, animal archetypal image, gods and ghost (devil) archetypal image, the hero archetypal image. All this archetypal image are with the concept of Mongolian collective consciousness which embedded and constantly recurred in the literary arts.On the fusion progress of Mongolia and Han ethnic group, the beauty of toughness have gave an impact to the Han nationality, the impact of aesthetic trend find historical examples for Mongolian aesthetic perception. In the present context, discussion on the beauty of toughness has more practical meanings, it brings us not only the aesthetic implication, but also the cultural significance and spiritual reflection.The first chapter, we explored the beauty of toughness for land mainly from transformation of the Mongolian literature history. the beauty of toughness have profound implication powerful vitality which begins from the soil of the ancient literature (ancient myths and legends, epic). The praise of hero on the folk and hero epic in Medieval literature realized transform from god to the people, for its realistic plain, it shows PuYe characteristics.At the process of Modern literature, the original toughness in the Mongolian literature has transformed into bold, powerful indictment for the national democratic movement. We have found particularly deep origin and continuation of the beauty of toughness by explored its transformation in the lasting mode. until now the beauty of toughness still maintains a strong vitality and distinctive national features in the field of literature.The second chapter, through the anthropology perspective, the Mongolian national migration, primitive religion and geographical environment, we explore the unique aesthetic perception from the Mongolian culture. Its unique natural geographical environment builds the achievement of unique aesthetic style of Mongolian. unique way of life and production of Mongolian nomadic have an deeply influences on clothing and diet. It also is one of the reasons for long-term accumulation of Mongolian aesthetic psychology. the Mongolian nationality of shamanism played an important role at forming aesthetic culture, and gestated the unique aesthetic perception of Mongolia.The third chapter, the thesis clarified a kind of aesthetic form -the beauty of toughness of Mongolian with raw material-the Mongolian custom production and life style, focusing on Mongolian folk culture. It is different from other minorities' aesthetic perception. NingLi have showed in CHAMA masks, the beast art analogy in hero epic and Mongolian animal totem worship, and its outstanding performance are the majesty, terror and ferocious esthetic connotation. JinJian performances in shaman dance, the aesthetic dimension on hero in ancient hero epic, the aesthetic habit of horses and Mongolian women unique esthetic psychological. PiaoYe probed worship of white. Dress, emblazonry and decorative arts as the primitive nature reflects the nationality of folk culture. Primitive power was illuminated from the Mongolian life production mode and geographical environment aspects.Because of the custom for nomads, advocating strength become main characteristics of Mongolian aesthetic, we still can visit to the rhythm of force from the Mongolian dance. the main connotation of Mongolian tough beauty is constituted by Mongolian aesthetic spirit category of the NingLi, JinJian, PuYe and Primitive power.The fourth chapter, As a kind of aesthetic concepts, artistic representation of the beauty of toughness is mainly manifested in the archetypal image. as the carrier , natural archetypal image, animal archetypal image, gods and ghost (devil) archetypal image, the hero archetypal image are embedded in the literature and art of Mongolian, and appeared repeatedly with the collective consciousness.The fifth chapter, the depth of problem itself was transmitted in historical perspective. In Chinese history, Many of brought the development and some degree of promoting and influence for history and the era. Ethnic mixtures was determined by the beauty of toughness, and literary aesthetic agitation of Yuan dynasty also changed from implicative, elegant, simple and unadorned characteristics to unrestrained, inelegant, magnificent characteristics.At last, Mongolian national aesthetic and Han aesthetic perception are mutually influenced, at the more national integration pattern. In the present context, the beauty of toughness publicized the virile aesthetic paradigm to provide reference for the postmodern landscape.It also play an important act on culture significance and purification to souls.