Dissertation On The Movement Feeling Of Chinese Traditiaonal Art Design

The rhythmic movement in art is an aesthetic question which is worth to be studied. The writer takes the"Movement Feeling"of Chinese traditiaonal art design for instance, and study the laws of substantial form, thinking phchology and cultural spirit and so on. So that revealing the laws of"movement"in art and the corresponding relationgship in aesthetic psychology. And the theoretical value consists in showing the origin of the"movement feelings"of the traditional art design based on the study of visual thinking; and prospecting the cultural deposits of the"movement feelings"of the traditional art design based on the study of the relationship between the visual forms and feelings ,thinking and culture. On the ground ,expounding the relationship between the forms of the traditional art design and the psychology, thinking, culture;and developing the study fields of Chinese art design. Adopting the multi-inter-disciplinary research approach, the important practical significance consists in prospecting the unity of"vitality"and"dialectics"of the"movement feeling"of the traditional art design, and showing the developing viewpoint of making the past serve the present in art design. On the ground ,showing the fundamental laws of the movement forms in Chinese traditional art design, providing reference for the present art design practice.This article adopts specific research method, according to chapter- section-item to discourse the"movement feelings"of the traditional art design. During the writing process, the article follows the route and framework of concept meaning annotation-discipline dissecting-thinking and psychology analysis-cultural meaning analysis in the main ,expounding the relevant questions one by one. This article consists of introduction ,four chapter and conclusion.The introduction mainly introduces the theoretical value and the practical significance of the subject, and reviews and sorts out relevant research findings at home and abroad, briefly generalize the research framework and content of the subject, research method and feature.Chapter one, the"visual proposition"reflecting the Creator and vitality——the annotation of the"movement feelings". Including: the illumination of the"movement feelings"and the related to it; the component essential of the"movement feelings"; the existence base and so on. The main aim is to put forward the subject and analyze the existence conditions and immanent value. This is the foundation of the article.Chapter two , the vigorous and colorful"visual language"——the form law of the"movement feelings". Including :rhythm and change——the movement feelings of"form"; the gloriousness and affection——the movement feelings of"color";"power","qi"and"illusion"——the movement feelings of"shi"; identity of object and self , identity of emotion and scene——the movement feelings of"scene"and so on. The main aim is to analyze the visual form law of"movement feelings"to supply a key that understanding the"movement feelings"correctly. This is the first of the cores.Chapter three, the"visual psychology"of the intrinsic emotion——the thinking and psychology of"movement feelings". Including: dynamic creating consciousness and mode of thinking; the form of emotion and movement feelings; the interrelation and interaction of the creator and the recipient and so on. The main aim is to expound the affinity between the"movement feelings"form and"human"by analyzing the thinking and psychology of"movement feelings". This is the second of the cores.Chapter four ,the luxurious banquet of"visual culture"——the cultural meaning of"movement feelings". Including: the historical progression and characteristic analysis of the"movement feelings"form; the relationship between the"movement feelings"form and the spiritual culture and so on. The main aim is to prospect the relationship between the form characteristic of"movement feelings"in traditional art design and the social background, philosophy and spiritual temperament. This is the fundamental end-point of the article.Conclusion is the summary and sublimation of the whole article. The main aim is to expand that this article is to study the problem of"movement feelings"of Chinese traditional art design, and clear, indicate and prove the concerned basic principles. In order to showing the main innovations and the beneficial inspiration.Taking the"movement feeling"as the point of penetration, This article acts as a bridge to connect the material culture and spiritual culture, and estabilishes a system including form, psychology, thinking, culture to reveal the visual phenomenon in art. At the same time, the art design in the present china needs base on the material and spiritual culture of Chinese traditional art design. And in this way, we will broaden our design field in the future.