Fei Ming Literary Thought

This paper is Fei Ming (1901-1967) of literary thought, and he thought the times in the face of complex ideas taken by the response, and then discuss the implication of his thought and literature of traditional Chinese values and cultural factors in West tidal surge and the times of changes, adjustments under the Double Variation and Change. In "How thinking" this proposition into the waste were thinking in the world and the aesthetic world of his perception, knowledge, life, the world situation, people, nature, faith understanding; of his expression of their own ideas, to understand the concept and composition of thinking concepts proposition, argument, experience, demonstration and even the final outcome of the literary works; of some time on his work arising from the interpretation and the ancient name of senior researcher works through the interpretation of waste and waste generated were thinking of a new dialogue thinking; of Fei Ming in the context of its time on the aesthetics, values, theories, beliefs, methods and their impact on the construction of social and cultural life of that time; of waste were the social and cultural ideas, understanding of what constitutes progress, adjustment, Evolution, growth, enabling us that those who can stand on the basis of previous ideological point of view the world and realized we are not starting from scratch, aware of the Chinese traditional culture and the world in dialogue, the face of the impact of the times when we are not alone. Beginning this to previous experience and knowledge in the absorption based on the response to the challenges of this world bring us so that our thinking can be used as the voice of an era, showing the advance of our thinking and how we can move on. Moreover, in the other hand, with the above proposition to repeal the name of literary ideas, can help us recognize that in order to Confucianism, Buddhism and Taoism thought of nuclear, secular society to the table of Chinese traditional culture, with what kind of thinking they have in the process of evolution which abandoned the culture module, which has absorbed the cultural factor, which in the face of Western aesthetic point of view is the complete collapse shock wave, which has been "creative changes" while enduring kept fresh with new luster; can help us to understand the generation of waste, called on behalf of scholars, thought to be in shock, after baptism, their ideological and cultural rebirth of the core and value for today's cultural progress, which can play a normative role, and then in overall understanding of our civilization and its traditional cultural characteristics.This paper attempts to study Fei Ming Buddhist thought, Buddhist ideas of how to change the background of the times were thought to become the main waste structure, while Fei is how to Buddhist Thought, rejection of modern Chinese literature Thoughts in the mainstream though the status of the radical discourse ideology and scientism, build their own spiritual and cultural world of aesthetic utopia; further review of Buddhist thought in literary thought Fei formation, development, and ultimately the process of establishing the location and function.Fei Ming literary thought in the tradition of literary elements, can be divided into external and internal logic of two parts Qiyun be analyzed, but depth in the scenery elegant works of Fei's Qiyun, can be found with the Chinese "Book of Songs" Traditional and Six Dynasties literature ethos of the blood contact, and Six Dynasties literature on the abolition of the images were mainly to the resonance-based ethos. Fei literature embodied in the concept of local literature derived from the traditional local culture out of the "cultural specificity" principle, which recognize the concept of simple aspect of clan autonomy, in the harmonious relationship between people find aspects of the United States to to avoid the impact of modern civilization, and then developed into exclusive "legal concept" and "citizenship concept" of the trend, since such values from modern literature, contemporary literary creation in the practice still occurs from time to time. Literary works in the waste were reflected in the fun, nature, cultural awareness and practical attention is even more the practice of local literary maverick. If social and political theory-based view of literary criticism, without doubt, a conservative and backward sense of literary, but if we examine the waste from the aesthetic point of view the name of literature, you can find it contains from the traditional culture of thinking in the modern Western civilization under the impact of the restructuring, which provides us with a traditional culture of the modern aesthetic reconstruction of the possibility of transformation of traditional and Western ideas to better sort out the impact of displacement rebuttal.In a sense, waste is a new name was "discovered" the writer. Its re-emphasis by the academic circle and conduct multi-dimensional study, not only has aesthetic significance of the research literature, more importantly, has extensive history of literature, cultural history of symbolic meaning. This period of change and not only by the aesthetic of simple, style characteristics to be summarized, in my opinion, this fact means that the academic ideology, value system in an era of change, from the mainstream discourse constructed by the structure of the sanctity of one dollar by the coexistence of a variety of diverse values of the transition. Waste were also unique literary ideology emerges as the history of Emperor and the history of the surface, thus referred to as "creative transformation" process in personality. Proceeding from this understanding, we can conclude that, Fei Ming style is representative of the construction methods in the literary tradition of modern change process, the traditional literary mind "long beautiful", "seeking recluse" taste and aesthetic discourse dimension.In my view, on the poetry of waste were not merely in the pure aesthetic dimension, or even can not simply stop at the level of poetics poetry poetry. We know the literary value of waste were not only its aesthetic value, such a simple change of style changes and new literature literary construct, but the Chinese literary tradition, cultural tradition in the modern impact of the performance made an important stress response is the inherent creativity of traditional process of change and the modern concept of the blending of the aesthetic system constantly wrong delivery, and constantly adapt to the specific representation and break. Individuals from the perspective of waste and also waste were going through Chinese literature, culture transformation and 54 modern literary enlightenment, the face of social crisis, a crisis of ideas, self-reflection and cultural crisis "spiritual hibernation" in this process, waste were placed by the traditional cultural significance of the re-interpretation of the changing period of Chinese culture in reality, social reality and its own personality, represented by the existence of traditional literary culture of the state of the sense of understanding and criticism of poetry such an old and new The Words of art vector to reconstruct the ideological level, a spiritual world beyond the secular society and the meaning of the world. Be understood in this perspective, we spent names poetry to grasp the meaning should be to re-invent the world, the creative transformation of traditional, modern and Analysis of the expression as the focal point, supported by the flow of style and discourse, which will waste Name of the poetry research into the waste were thinking in the world, to capture the overall waste were literary thought evolution, to analyze the aesthetic character and value system in order through the abolition of individual creative practice and theory of the case analysis, for the Chinese literary tradition, cultural traditions in the modern literature in the Construction of the new shift and change, exploring the current thinking in the world of ideas embodied in the reconstruction of the possible dimensions, of waste were for life and society, all kinds of immense interest among the community's quest.Spent alone in thinking different name can also be understood as a "Road", which is different from the orthodoxy Road, not be forced into contact with the political system, it is only in the ethos and values and ideas to provide finality for the real world ideological resources. This "Road" and the Road Commission (ideology), learning system (knowledge), the political system (political structure) of the relationship is equal, is also interactive. Reference to the significance of the three systems to provide for rules and dialogue. Within the literature, this "Road" as literature, literary criticism, literary theory provides specifications and direction to promote the three Bu Zhiyu pure skill of barriers fall, also contributed to three to maintain the relative independence and purity, not influenced by ideology and political structure, in the theoretical system, search for knowledge while maintaining humane care. This "Road" is the core of the idea have faith, be pursued by the fear of another, the traditional and modern while maintaining vigilance and suspicion, to avoid Western thought, Eastern Orthodoxy replace the internal logic of the logic of art itself. So that we can in power, money, keep a true face of reality is humanity, a world wary of the spiritual world of the physical world. It is in this sense, I would scrap the name of literary thought as a group tend to describe a group tend to maintain the dignity of the human spirit.Waste name from the aesthetic of literature questioning the absolute beginning of the utilitarian value of life, joy and meaning of search, transition, until finally accepted by the Buddhist philosophy of Zen-based thinking, and other contemporary intellectuals to take a different approach , from the "righteous" to "born" ideological shift within the dump, the performance of fiction-writing as to the aesthetic world of their affections native, in theory, poetry writing and poetry performance tradition in Chinese poetry resources to explore ideas, emotions and the pursuit of form a perfect unity of "poetic" and "sense of poetry." The significance of this transition is not from the "righteous" to "birth" of the ideological dimension, because in the name of the literary forms of waste has gradually shifted from the light and agile and elegant simplicity of fine; most important is the perspective of waste were to observe the world occurred change, when he shifted from the pure Zen Zen and Confucianism, when each economy, not just from the perspective of literary skills and cultural crisis, the history of the crisis were observed, but started from a cultural, moral, human and Customs of the level of the transformation of modern Chinese literature to judge. This brings us thought possible waste were the essence and meaning of literature to make their own judgments, that is not from pure aestheticism or literary point of view, but from the culture as a whole the literary aspects of building their own ideological world. And contemporary intellectuals, Fei Ming's ideological transformation is not from the school system's internal logic derived starting the academic evolution of consciousness, but by the time the vortex rope volume to age and cultural crisis, social crisis-oriented passive change.