Localization Vision Of The New Century Chinese Novel,

The new century is the beginning of a new era, it marked the course of human history that has opened a new chapter, but also herald the development of Chinese literature into a new era. Context of globalization, as China's comprehensive national strength and cultural status of the steady rise,in the new century literature also presents some new quality. The face of strong Western literature that"the other", the Chinese writer's mind is becoming calm and no longer slavishly follow suit; they tried to abandon the psychological dependence on the West, out of anxiety and anxious, out of the shadow effect, re-discover within the local charm of its own quality, and created a batch with local resources, the Chinese experience, cultural traditions, classical forms of the novel has a deep connection. Resources in the writing of these novels, art origins, theme presentation, performance targets, writing techniques, literary forms, narrative structure, language types, spiritual temperament, beauty and spirit and other aspects, reflected some of Novel Writing is different from the new trend, and Localization of co-construction of the Chinese literary picture; in a new starting point, Chinese Literature in the context of globalization and the originality of the growth of autonomy has provided an opportunity, but also for the Chinese Literature in the world and participate in the global value system in the spread of the road.But undeniably, this more positive reflection and digging behind the actual still hides a great frame of reference, that is the Western literature. Needless to say, we are the strong influence of context in the West down to re-think localization issues, and cf Dynasty under the local elements of the West highlights the deep significance. For a long time, Chinese literature of Western literature has always been ambiguous, on the one hand, reason requires us from it, on the other hand, we can not really get rid of it to tie him down, this is the practice of Chinese literature and its localization is difficult to avoid the embarrassment of the state . Thus the resulting text is often presented with a Western background of the localization characteristics of local factors and the Western entangled with each other, involved, grafting, and fusion in the conflict and constitute the dynamic style, achieve a kind of Negative dialectical. That is, by no means pure localization localization, which is intertwined with Western elements, or collision of a dynamic integration process of globalization under the situation of a restructuring in the Chinese literature, which is still restructuring and ambiguity of Western literature are inextricably related. We must have a clear understanding of, and this complexity is also the focus of this inquiry.Paper is the complexity of the case based on the above, the specific novel return to the traditional evaluation of a new century, keep the local community which shares the general characteristics of creative undercurrent, actual performance and value significance. Author from the vast selection of new century novel in the works of strong local resistance to"localization"as the starting point to construct a new theoretical framework which will be the cover, and depth of localization of the novel features of the new century, problems, Entanglement complexity of the situation and the reading of the new century. This thesis from the text starting with the theory of two dimensions, using theoretical work led to the text read to enrich, enrich and deepen the theoretical framework for interaction between theory and works to achieve complementary effects. Thesis is divided into four chapters, before the introduction, after the conclusion. Introduction to clarify the value of paper topics, innovation, research status, writing ideas and methods; construction of the first chapter of literature"localization"theory of the overall framework; after the three chapters of"localization"as the view, respectively, from the performance of the content and artistic form two novel aspects of the new century to start a note, to analyze the performance and complexity of the text localization state; conclusion section summarizes the characteristics of the new century novel localization problem and enlightenment.The first chapter of"localization"and the new century novel. Origin and genesis of this chapter combines methods, focusing on traceability of"localization"concept, recalling the 20th Century Chinese Literature "localization"process, outlining the localization of the new century novel trend. Section mainly on the"localization"discourse, from the"native","localization","cultural localization"and so extended, thereby determining the"literary localization"of the meaning and interpretation of dimensions, and proven global language environments of"localization"historical inevitability generated. Literature of"localization"is not representative of pure authentic or self-enclosed literature, it refers to the main weak by the strong literary object in the literature produced after the impact of the stimulus and a reforming reaction, is the native literature of self- imagination and inner construction. It is not the result, but the process, meaning the grounds of"non-native"state into"native"state or the original are"local"elements of digging out. Act as a dynamic process of literature"localization"by emphasizing to explore some of the vulnerable body of literature has been covered the quality of, or changes within the literature of strong elements to integrate into their own way,to reaffirm the value of locality located.On the"localization"of stress, seems to be weak in the Context of Globalization literature in the development process must send a powerful voice,with traditional, modern, Western, localization, etc. Key words are closely related. Section II uses the"localization"as the cutoff point, sort of the 20th century Chinese literature, that of Chinese literature in various historical periods is how to deal with local resistance and the relationship between the West."localization"issues related to the reality of the plight of Chinese literature and future prospects,"localization"and the struggle between the anti-localization also constitute narrative of modern Chinese literature of internal tension. Section III,"New Century Literature"to prove the legality of the same time, specify the new century novels presented an important trend:"localization"and to analyze the autonomous growth and embarrassing situation. New Century Development of a novel to life in China, the Chinese experience and Chinese culture, China's image in the localization of narrative, chronicling the difficult road toward modernization, show the vitality of local culture and the enduring nature of the exchanges with the West Rou and collision, and to create enough enriched picture of the world's literature unique art form. But such efforts are still accompanied by the involvement and influence of Western literature and Chinese literature inevitably formed a"localization"of the paradox of existence.Chapter II"native"resources in depth search. This chapter theoretical interpretation and text analysis methods,Combination of macro and micro integrated perspective, discusses the new century writers on the"local"search depth of resources, myths and legends from the New, review the traditional culture, Chinese people and so on Quest refined analysis of how local resources are involved in novel and quality of each blend with the text, as well as its cultural context in the new century, revert to the kind of attitude and identity of embarrassment. Local resources that are rooted in the nation and the deep cultural traditions,creative material,artistic inspiration, spiritual inheritance. For a long time, Chinese literature to varying degrees by the flood of troubled Western literature resources, it seems not easy to jump out of the Western experience and art form of mold. China also has acted as"being enlightened"role, just hungrily chewing the West Classic, but they neglect the local creative use of resources, became the artistic spirit of the street children. How, then, to reverse the embarrassment of aphasia, how to make local resources to regain explained in the context of globalization, the inner spiritual life radiate the glory of the new century, this novel is to be one of reflection and response dimensions. Section of this chapter of the New Century"Restatement"series of novels in the"look"and"be seen"kind of paradox created under the state, and local charm and modern presentation techniques staggered one form of"repeat"of this narrative act on local problems revealing the use of resources. Section II Review of traditional Chinese culture, Confucianism, Buddhism and Taoism from the deep reversion, cultural and spiritual decline After Past, utopian dream of the revival of three angles, showing the traditional cultural heritage in the process of modernization and fission. Traditional resources and cultural spirit is an indispensable source of inspiration for writers, the new century, the writers change the look up"the other"attitude, gradually back line of sight, affectionate look back to tradition, to re-call of local cultural resources or attention to the traditional spirit of After Past. Section III shows the new century novel of the Chinese people and Chinese people's interpretations. The heart of the inquiry, to undertake a 20th Century Chinese Literature analysis of the traditional emphasis on national character, and pay more attention to local color and flavor of the East, stressed the unique Chinese culture and oriental psychological structure of the habit of thinking of human nature depicted in China as detailed emoticons.The third chapter,"local"experience, depth and expand. Chapter to read the main text, from the micro perspective focuses on the novel of the new century,"local"experience, depth and expand, and in pursuit exotic, local show for the nodes in series from the Chinese experience in different local narrative trajectory space and the spirit of the extension."Local experience", especially a hair growth in China, a unique local experience, which includes a series of personnel images, history, customs, living condition, emotional experience, and cultural psychology. Since the new century, Chinese writers increasingly focused on developing local experience, this opening in the breadth, depth and aesthetic significance compared with the 20th century, there are different levels of breakthrough, especially in frontier and rural areas can be said to dominate. Section of this chapter sets out the new exotic pursuit century, exploring the creative performance of border resources. With a number of specific human culture border financial,cultural, mental and emotional connotation of the novel, the emergence of the creative frontier focus warming trends continue, the local experience into a rich vitality. Looking at these novels frontier,full of emotion written portrait, showing the frontier in modern China the ups and downs of the process of change, and people struggling. Local Section Zeyi presented the new century as the core, exposing the decay of rural China as. Local new century novel of"village"as the focal point, focus shows the modern transformation of Chinese rural tragicomedy, and the survival of native and encounter the end of folk narratives and the construction of everyday village in the world, reflects the spirit of the Chinese local situation and the modern world confrontations.Chapter IV of"localization"form of construction and aesthetic modernity. To aesthetic modernity in the form of construction of the axis, the analytic structure of the new century novel in style, artistic spirit, narrative language, etc."localization"embodiment of the traditional focus on proven techniques and modern Western art forms intertwined and interactive with the complexity of health state. Western literature in Chinese literature resources have been shifted by the traditional narrative elements in Changsha, the new century, there has been improvement in this situation. Exploring the novel art form, the Chinese writers began to"look back"way of running your own garden, local accumulation and writing style from start to traditional resources and art forms for inspiration, try to return to the dual attitude and innovation to build China Literature of the new image, to expand the novel's aesthetic modernity, and describe the latest Chinese literature localization expression patterns. However, in this process, the Chinese writers can not completely abandon the expense of modern Western art, but only immersed in the local artistic creation, they will be more or less to the influence of the West, and on the creative unconscious to show up in resulted in Indigenous and Western Phase blend of text effects. Section of this chapter the structure from the perspective of style, explore the traditional forms of modern change, which analyzes a"big pearl beads off the jade plate,"the pieces put together style and the"new wine in old bottles"of the past serve the present type, the latter including Chapters, Phoenix Pork bellies leopard head end, the key link Kam body, Xu Yan body, the Book of Songs body, life streaming, conversational style the form of seven, these are based on the structure of traditional text, combined with the creation of modern art techniques. Section II from the perspective of artistic quality within, to reproduce the charm and poetry of language and narrative mode of analysis Heaven Qi points, interpretation of the new century, the novel's unique charm and spirit of the classical aesthetic tolerance.