Studies On The Paradigm Of Aesthetic Creation In Sustainable Energy Landscapes

Responding to energy crisis and climate change, policy makers andplanners around the world are increasingly paying serious attentionto Net-zero Carbon development strategies and Regenerative DesignPrincipals as well. Renewable Energy is accordingly pushed at the coreof the strategies developed in order to face it. As a result, Energylandscapes become a meeting point for many contradictions which lead toa series of environmental issues such as land use, landscape quality,biodiversity and so on,while sustainable energy landscapes have to bebrought forward as a new paradigm to solve the problem. In this paper,sustainable energy landscape is at the core of the research object andcontemporary ecological aesthetics is used as the aesthetic frame ofreference. In order to put up the paradigm of aesthetic creation insustainable energy landscapes which is discussed in a logical system madeup of the ontology, creative methodology and theory of aesthetic value,the traditional energy landscape is reflected and criticized and theenergy landscape vision is predicted and forecasted for seeking theirinheritance as well as establishing their incommensurability.The ontology part (chapter2) helps to construct the sustainable energylandscape theory. It demonstrates the problems such as germinal context,connotation of the concept, nature and ontology of sustainable energylandscape. It defines man-land relationship as its essence, sustainableway of life as its core, and locates the sustainable energy landscape inthe comprehensive framework relation between people and land, which laysa solid theoretical foundation for the further paper writing.The aesthetic value part (chapter3,4,5) expands in the comprehensiveframework relation between people and land. First, the "three pointsmethod" is implemented in the logic system of ecological aesthetic, whichhelps set up "three points" compound aesthetic ecological system amongnatural ecology (the true), social ecology (the good) and spiritualecology (the beautiful) and defines the critical inheritance relationshipwith the traditional aesthetics; Second, the search of aesthetic valueand aesthetic mechanism is unfolded in the compound aesthetic ecosystem.The search of aesthetic value is aimed at "seeking truth","seeking good"and "seeking beauty", which means "knowing what it is"; the search ofaesthetic mechanism aims to have an insight into the essence and itsresolving way of the "aesthetic and ecological" conflict through the wayof "divide-and-rule and then composite", which means "knowing why it is". Finally, a true, kindness, beauty and aesthetic ecological paradigm isconstructed on the basis of aesthetic value and aesthetic mechanism, whichis the "trilogy" consisting of the value of life, the value of participa-tion and the consciousness of Homeland.The creative methodology part (chapter6,7) is expanded incomprehensive framework relation between people and land by the aestheticecological paradigm. Ecological phenomenological paradigm, its "metaparadigm", has guiding significance of world outlook and methodology.Under the guidance of ecological phenomenological method, the principleof aesthetic creation (seamless integration, recycling, open space andsituation experience) is constructed adhering to the integration thinkingmode of the interdisciplinary and multidimensional; On the basis of theprinciple of aesthetic creation, the aesthetic creation strategy(collaborative coexistence and dialogue integration) is constructed.Aesthetic creation model is an open, dynamic model system. It takes "threeelements"(the goal) and "four level"(the means) of relation betweenpeople and land as a variable. The method of centralizing million intoone and getting million from one is used until the entry into a standardparadigm. Finally, examples of aesthetic creation are provided in the formof case appreciation.