The New Explanation About"Drawing Color Adhere To The Type"

Characteristics of Chinese language and culture with imagery, words traditionally tend to be subjective. So for Chinese traditional painting theory "Sheikh six methods" in the "assign a color with class", and continues today has many different interpretations. These conclusions because researchers themselves tended to vary the variance, meanwhile, also may be reading different angles based on different, thus gradually disengaging "assign a color with class" intent. By assigning a color class has spawned new perspectives have been unmoved. Many of them have their legitimacy, but due to the lack of a clear and scientific analysis and elaboration of which tend to be fuzzy, not up to the proper height, required further discussion.Throughout the history of art. theory of metaphysical painting because painting full with too much attention, you assign a color interpretation of crooks in the class, always ignoring equal emphasis to skills in traditional theory. Painting color in traditional painting theory of subjective stress, makes the analysis and evaluation of images with too much metaphysical spiritual overtones. In fact, assigns a color class class there are two. one is spiritual, metaphysical "class","class" in the traditional Chinese painting theory has been sufficient attention and in-depth discussions, characterized by emphasis on the subjectivity color. But the second aspect of the class, the "class" shape, form and technique under the connotation is often overlooked. Actually both are indispensable. Just talk about technique, or just talk about consciousness, are missing. In terms of technique. assigning a color interpretation of class can eventually be translated into one of the most simple and plain explanation--main colors, is based on the main color to give the color of the picture. Thus I will try to "class" relatively more techniques and forms under discussion, try the main colors in the color theory for angle, the connotations of both spirit and technique back again, on the original meaning of the word is more comprehensive and in-depth study. Similarly, the "class" definition of a return to the screen itself, return to ontology of art. painting itself for creation and measurement standards in the creation of subject and based on real to return the art to the art itself."Class" meaning indissoluble link with the picture itself. This can be based on the practical work itself, combined with painter style expression to create the spirit and tasting.In today’s globalizing world, cultural integration among peoples, and also to diversify the traditional Chinese painting. Color as an important part of painting, work style has a pivotal role. Therefore this article to practice point of view, the study of Chinese painting color language and theory of Chinese traditional painting "Sheikh six methods" in the "assign a color with class" analysis to identify "classes" for "primary colors." the main points. And will use it as the starting point for an in-depth analysis and interpretation of Chinese painting color theory, an analysis of current development of Chinese painting in terms of color.This for with class assigned color of discussion does not just limited Yu restore with class assigned color of meaning, also not just limited Yu on with class assigned color by derivative out of both save views of research, but hope through on with class assigned color meaning of in-depth research, expand on China painting color theory of discussion, through on painting color theory of extended on painting practice produced must of revelation role. Inferred on the basis of this color in Chinese painting theory of systematic development and academic theory.Full text is divided into three chapter, first chapter will from scratch comb with class assigned color in history in the concept meaning of rheological. and on "with class assigned color" for verbatim of analysis, this analysis with class assigned color in the by contains of China traditional color theory, and will analysis and "with class assigned color" related of traditional art theory and with class assigned color derivative of concept, in restore history situation this a premise Xia on with class assigned color for in-depth of interpretation. Chapter II focuses on sections of this article. In the first chapter, on the basis of. I will be in the background of Chinese language and culture, combined with the color theory, assigning color to such "class" to define the word. Proposed assigning a color research on the original meaning of the author class:"class" is defined as the main colors of the screen, and will expand to assign a new interpretation of the color class. The author through the color theory angle, an analysis of the characteristics of Chinese color, assign the class to restore the.original meaning of color in Chinese history for analysis. theoretical as well as the main colors of the historical facts on the screen in this critical point for resolution. Analysis and research as the main colors of the screen, the exploration of the contemporary Chinese painting color theory will no doubt be an important aspect. The research on the characteristics of Chinese traditional color will also be integrated, problems in the traditional color theory, as well as the compatibility of modern Chinese painting color, on issues such as foreign cultures accepted reference for analysis. Contemporary Chinese painting color theory favored by foreign cultural influence, its practice of painting highlights the important features. Articles of chapter Ⅲ. was I from the perspective of practice, from the perspective of another new intrinsic qualities of color that is the color of "white ash". Meaning in practice, assigning color to such reasoning. Color in Chinese painting practice is of great value. The Color structure at this point to revisit works, works will be more beauty, more artistic. From the composition of color composition, the actual situation on the new concept of perfection of traditional concepts of composition. Also in the practice of Chinese painting and colour on some constructive criticism.