| The subject had investigated of the dissertation is the texts of Chinese art criticism thathad published in1978-1989, and it aimed at analyzing the complex relationship between thesetexts and ideologies. The dissertation is constituted by four main research intentions. The first,Why the Chinese art criticism which arise in1978-1989involves ideology and how relevancebetween them? viz. the feature in Chinese art criticism in1978-1989and publications that artcriticism texts were published in this period was revealed the closely related to the ideology.The second, what is the meaning when Chinese art criticism in1978-1989as a whole object?viz. there are subjects that has been ratiocinated in1978-1989, and its historical evolution hasbeen orderly deduced and presented. The third, what is the intertextuality status had happenedto Chinese art criticism and ideology in1978-1989and in what approaches? viz. theintertextuality had been arisesed in Chinese art criticism and relevant ideologies; and when artcriticism as a speech action, what is the formulate or model, and what is its metaphor? Thefourth, why the art criticism must be touch ideologies? viz. the closely relationship which hadbeen arisesed in the critics and the review of the Chinese art criticism in the end of1980s; thepossibility of the relation that have been arisesed between art criticism and ideologies andwould be. This investigation has indicated that the nexus status has been systematicallynarrated in Chinese art criticism and ideology in1978-1989, and based on this, amultiple-trend progress and the meaning has uncovered that Chinese art criticism has closelymutuality in the transition of China society thoughts. |
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