The Research Of Traditional Chinese Painting "Ink Form"

This paper mainly studies the germinal process of traditional Chinese painting "ink form", analyses its causes, characteristics and functions in different periods of time, explains its ways of observing, shaping and aesthetic. It aims at elaborating the original meaning and value of the program in calligraphy to overturn the conventional wisdom.The first three chapters research the "ink form" by the sprouting, growing to mature. The study found that the "ink" is formed not only because of the necessary to the development of painting noumenon, but also influenced by traditional philosophy, culture and art. It represents the space-time unity and subject-object blending. This attitude of observing objects and evolution mode has been through and to promote the "ink form" which centered on the objective natural to the "rhythm" which centered on the subjective interpretation. "ink form" s independent aesthetic value has immense manifest gradually when its action develops into painting’s most important "purpose" from "tool" which solved subjective contradictions. People’s understanding to it also deepened into abstract "truth" from concrete "method". In this process, Shi tao’s "Feeling precept’s spirit" and "Materialization", this kind ways of viewed as the most effective way and the prerequisite for "ink form" s creation and development.The chapter four which is based on the first three chapters analyzes the contradictions and impact faced by mature "ink form" in modern times. In addition to the transformation of the principles of art in the new era, the most important reason for this phenomenon is that either success or failure boils down to “ink form”. The chapter five put forward thinking of space-time and explanation of self of western art which also exists in oriental art. The purpose of this paper is to explore the Integration and advantage of traditional way of observe objects, reset the original cognition of "ink form" in the new context,and Inherit the endless creation mechanism of "ink form" in the practice of painting.Historically, in the developing process of "ink form", even in the times when the East and the West collided most violently, there were also defenders’ struggle.This proved "ink form" s over-long adaptability. Nowadays, facing traditional art’s return, the exploration and discussion to Chines painting’s right ways of study make the classical "ink form" to deserve more respect and fresh recognition based on Chinese culture. That’s the reason of writing and the significance of the author’s research.