Guo Early Literary Works Collating And Discovery

For a long time, scholars used to bring Guo Mo-ruo’ s life into two periods, before the new Chinese’sfounded is early stage, and after the establishment of new Chinese is later stage. This paper make Guo Mo-ruo’s early stage literary works as the object of emendation and study. The so-called works refers to his "LiteraryEssays","Literary Essays Sequel" two literary works, and the Literary papers that first published in variousnewspapers and periodicals and later revenue to the various versions <Yu Shu Collection>,<Pu JianCollection>,<Jin Xi Collection>,<Fei Geng Collection>,<Tian Di Xuan Huang>,<Mo Ruo Corpus>(elevenvolumes” Set outside”),<Mo Ruo Corpus>(thirteen volumes” Set outside”). It should be noted that, in thisarticle to determine whether each piece of literature is "art paper " standard, which is to look at whether GuoMo-ruo proposed literary point of view, all the papers presented literary point of view, are counted as"literary papers."This paper chose early on Guo Mo-ruo published a large number of literary theory forward to this versionof collation, and marked out all the changes he conducted in the future, because until now, Guo Mo-ruoacademic research scholars in the vast majority of their pre-study for its literary or artistic ideas on the data tobe referenced, have not noticed that Guo Mo-ruo always use the opportunityof his own literary papersoriginally published anthology of income into each corpus, according to the prevailing social and politicalsituation, as well as alter ego ideas, and their varying degrees of modification. When he finished thesechanges,he never to be specific instructions. The result of this text will form the history of the surfacemodification of a very deceptive, for his many original ideas, and these ideas form the true state of a shift inthe future has led to a shelter, If not carefully collated strictly to research the different versions of thesedocuments, it is difficult to peep into the history of this shelter under real flow pulse. But very unfortunately,before this thesis writing, academic treatise on the art of the early Guo Mo-ruo collation work is extremelylacking,only in the eighties of the last century, published by Mr. Huang Chun-hao had a <Symposium on Artand Literature>(Revised Edition) But this "<Symposium on Art and Literature>(Revised Edition)"Prepared on the basis of the principle of “Normal text changes”” Not individually recorded”, Did not reallyrestore a comprehensive and detailed of the <Symposium on Art and Literature>(Revised Edition)‘s historicalevolution of the various versions of the whole picture. At the same time, the literary papers in the<Symposiumon Art and Literature>(Revised Edition) only accounts for little part of the pre-published and be modified inthe future literary papers, there is a considerable majority of other literary treatises are never to be collated inthe state, this is the first pre-literary treatise on Guo conduct a comprehensive and complete collation.Before more than two years the final form of the final version, the author carried out from relevantwebsites to download from all major libraries and research institutions copying, make a purchase from privatehands, basically found all the published over the initial version of literary theory, as well as income in thefuture and at different times by various publishers publish these on a variety of literary anthology. On thebasis of the original data, the author through the content of the literary works for each version of word forword comparison, find out the Guo Mo-ruo in various periods of its original literary works had done allchanges, finally put these derivatives to assembly, formed "collating results compiled" part of the chapters.The first quarter of the first chapter of this paper is collating of Guo Mo-ruo <Symposium on Art andLiterature>.<Symposium on Art and Literature> is Guo Mo-ruo’s first academic papers, the first by theShanghai Guanghua publishing house published in1925, after the bureau in1929,1930reprint the book, thelast version is Guo moruo in years in1959after into major changes by the people’s literature publishing housepublished <Mo Ruo Corpus>version of the first ten volumes,"Collating results compiled" part of this section,which breaks down the original version of the paper is as master copy, and other expressing ideas in the futurecould check the edition of<Symposium on Art and Literature>, formed by the last complete "derivatives assembly". Is based on the collection of literature and art in the second quarter, collating results of Guo Mo-ruoin different historical periods of literature and art "without purpose" and "utilitarian" expounds problems ofcarding and comments. From early20’ s literary world debut until after the founding of new China, GuoMo-ruo ‘s issue was always changing, so that would make later researchers are very difficult to grasp andresearch, has formed a difficulty in the study of Guo Mo-ruo. And Guo Mo-ruo to the changing nature of theproblem and he is always active in age wave is closely connected with life choices, at the same time, in turn,reflects his in different historical circumstances or active or passive role in the selection and identification, aswell as the characteristics of The Times he had experienced, so clear and clear the problem, comprehensiveand correct understanding of Guo Mo-ruo holds for us, and to investigate the various historical stages of hischaracteristics, is very meaningful. But for a long time, many scholars in different historical periods, becausethere is no notice Guo Mo-ruo problems related to expression of modifications, and on the research conclusion,and even cause conclusion administration and significant deviation. The author after collating these literaryworks version again, found that although Guo Mo-ruo changing on this issue, but from the nature level, hasplayed a decisive role is always the same, that is Guo Mo-ruo in different historical period, the literarydiscourse, social influence and other intellectuals to find and hold on "power".The second chapter first quarter is collating of Guo Mo-ruo’s <Symposium on Art and Literature seque><Symposium on Art and Literature seque>ncludes guo moruo from early20s and early30s, a total of11artpaper, all the11art paper is pf the proletarian literature works, so overall Guo Mo-ruo in the future for thechange is not big, but also has a lot of detail is of great research value. This section is for the first time theproceedings conducted a comprehensive collating, and marked all the derivatives. In the second quarter was tosee Guo Mo-ruo’s negation of " May4th " literature revolution and its deep behind the concept of internalcause. Almost all previous academic thought leader Guo Mo-ruo was one of the important participants andeven literature revolution, was the necessary guarantee of literary revolution success to his " May4th "literature revolution success was closely linked. But, in fact, Guo Mo-ruo until30s in the1920s, the " May4th " literature revolution is negative, The real reason is not completely he stresses on the surface of the "sons of a feudal prince or high official "," meddlesome celebrity", not "output""what epoch-making works",but in a more level is the result of personal nature "power", and is closely linked with the "fame". When the "May4th " literature revolution at home were surging, Guo Mo-ruo for studying in Japan, also missed the rarehistorical opportunity, as a result, although he is a famous works in the future gradually filled, but not in timeinto actual interest, still economic distress. Guo Mo-ruo keenly feel the proletarian ideology in China after thespread of the torrent, and timely grasp of the new historical opportunity, using the theory of the proletariatdenied "May4th" literature revolution’s real achievement, in the literary world for himself and the furtherdevelopment of the society, lay the foundation, show the way. We Can say, Guo Mo-ruo negation of " May4th" literature revolution,was originated from the voice power of the proletariat.The third chapter in the first quarter of the foam is <Mo Ruo Corpus>(thirteen volumes” Set outside”)<YuShu Collection> collating. Recorded the two parts of the paper was first published in the30s and40s, lessthan a decade, this can largely by Guo Mo-ruo returned to total resistance line, divided into two periods, indifferent period, Guo Mo-ruo ’s literary thought due to the influence of different political and military situation,has the very big change, and especially for the pf in the Anti-Japanese War period, often by its massivechanges in the future. The second and the third section is based on collating work, Guo Mo-ruo and Li shi-cen,Chiang kai-shek the two historical figures in a certain historical period of real relationships. Guo Mo-ruo andLi shi-cen ‘s historical grievances time span for more than twenty years, this period of grievancesentanglements since the beginning of the early20s may show a negative mentality of Guo Mo-ruolittle-known: narrow, until the late30s, this insular mentality is always there, and still more, even in the50sand the echoes. On Guo Mo-ruo ’s relationship with Chiang kai-shek, in the past people always according to<Mo Ruo Corpus> after liberation of compiling to recognize, think Guo Mo-ruo is fighter against Chiang,but little imagine Guo Mo-ruo at usurp his "foam if corpus", his works before liberation all involved in Chiangkai-shek’s comments after deletion, and this kind of removing the true state of their relationships formed ahuge cover, especially they are very important relations during the Anti-Japanese War.In fact in the early partof the total resistance, Guo Mo-ruo in the speech is very respectful to Chiang kai-shek, even to the point offlattery, but with the development of political situation, and the power of the communist party on his fight for,his attitude to Chiang kai-shek and subtle change happened. And from the mindset of Guo Mo-ruo’s deeperinvestigation, whether his negative evaluation to Li shi-cen, or suck up to Chiang kai-shek’s attitude during theAnti-Japanese War, the there are Guo Mo-ruo’s strive for and maintain the "power capital" self.The first quarter of the fourth chapter is collection about all of literature and art paper in the <Pu JianCollection> and <Jin Xi Collection>. The thesis composed of these two books and published in1939and1943,also is the total resistance into protracted war period in this historical stage, during this period due to bigchange in the form of war, then change took place in the domestic political situation, all of these greatlyinfluenced Guo Mo-ruo ’s literary thought and speech, made his remarks time color, but his changes of thesepapers in the future, is also very big. The second section is on Guo Mo-ruo ’s examinations of the "folk art"comments."The concept of folk literature and art" has been a very important part of Guo Mo-ruo ’s literarythought, but so far has been on the verge of being even neglected state, the author found that, by collating theliterature and art paper Guo Mo-ruo not like past scholars as "always pay close attention to folk literaturecareer",which have a long period of time in Chinese traditional folk art has a lower assessment. Guo Mo-ruo ’sattitude toward DPP literature and art, with his deep sense of "elite"-power closely linked.The first quarter of the fourth chapter is collection about all of literature and art paper in the<Fei GengCollection>,<Tian Di Xuan Huang> and <Mo Ruo Corpus>(eleven volumes” Set outside”). Included in thethree parts of the paper initially was published in the early ’40s to40s about eight years, Guo Mo-ruo ’s lifeis ups and downs in this period, he was free of the political department of the third bureau of Chiang kai-shek,after his "union" also was disbanded, thus thoroughly ended its within the kuomintang (KMT) system with"Good lucky" of course, but in the meanwhile, he is in the aspect of the communist party win high recognition,is classified as "the successor of Lu xun", won the "cultural leader", so his speech pf is obviously to thecommunist party’s policy of literature and art, therefore Guo Mo-ruo to change this part of the thesis in thefuture, is not very big. The second section is based on the collating work, found and explained the Guo Mo-ruoin to receiving the thought of MAO zedong before liberation and attitude change true state. History is of thetruth before liberation was impressed by the attitude of MAO zedong from the original only, to appreciate theadmiration, after to finally achieve worship singing, this ongoing change. This transformation processessentially embodies the historical opportunity of Guo Mo-ruo in different period of "power".In general, this article is more than ninety years, Guo Mo-ruo study first of all his early literary worksconducted a comprehensive system of collating work, in the whole process of collating, the author found manyimportant problem already be covered, as well as in the past scholars the Guo Mo-ruo is not clear that a lot ofchange of error research conclusion, the author in the "academic" section of the each chapter to clarify theseissues and interpretation, and the research conclusion of error correction. At the early stage of the study andcollation, Guo Mo-ruo a lot in the process of literary and artistic works, the author also found that althoughGuo Mo-ruo in artistic conception has obvious advance with The Times, because sometimes changecharacteristics, but in his behind these concepts in changing, there is a constant state of mind in plays adecisive role, that is he in different historical periods of their efforts to obtain "cultural capital", and on thebasis of the "cultural capital", has a direct influence on society, politics and military of "capital power"...