Heluo Culture And The New Change Of The Poetry Style Of Xijin Dynasty

The dissertation is meant to explore the generating relationship between Heluo culture and the poetry style in Xijin Dynasty. Full text is divided into six chapters.The first chapter teases out some related concepts of Heluo culture and its main characteristics."Heluo" is called the "Huang He" and "Luo Shui", referents to the area where the Yellow River and LuoShui intersected. The academic community accpeted the concept of "Si Zhi" as the character which describe the area coverage of the Heluo. The region of Heluo culture was large in Xijin Dynasty, in a narrow sense, it was equal to The Central Plain Culture."Heluo culture" is a joint name referents to the all material culture and spiritual culture in which the traditional culture of Xia, Shang and Zhou were the essential aspects of its tradition, cultivated in the intersect area of the Yellow River and LuoShui area where surrounding Lou Yang in ancient China. There are three relevant characteristics between Heluo culture and the poetry style in Xijin Dynasty:1) Foundation, Heluo culture in Xia, Shang and Zhou Dynasty constituted the backbone of Chinese traditional culture.2) Tradition, the culture tradition which the region of Heluo inherited is the traditional Chinese ritual and musical system which veiw De as its core.3) Evolution, mainly discussed the evolution of advocating feeling tradition and the Qingtan style of study Heluo area.The second chapter focuses on the corresponding relationship between Heluo culture and the poets of Xijin Dynasty. Luoyang is the medium which built the correlation between Heluo culture and the poets of Xijin Dynasty. Luoyang was not only the center of Heluo culture, but also the main poets collecting point in Xijin Dynasty. Heluo culture closely combined with politics and culture of Xijin Dynasty was the mainstream cultrue in that time. In75Xijin poets,62poets(83%of the total number of poets) had the experience of lived in Heluo area. The number of the poetry related with HeLuo region accounts for over90%of the total poetry in the Xjin Dynasty.The third Chapter investigates the traditional Chinese ritual and musical system of Heluo and the elegant legitimism of the poetry style of Xijin Dynasty. The traditional Chinese ritual and musical system of Heluo developed in Xia, Shang and Zhou Dynasty. Politics and academic study of Xijin Dynasty presented a trend that return to the traditional Chinese ritual and musical system of Heluo. Form tradition and according with etiquette, were the initiative principle of palace court music system of Xijin Dynasty, thus court music lyrics were developed prosperously. Under the lead of the spirit of restoring ancient ways, Xijin Dynasty have profound awareness of the value of rites and music of the book of songs. Xijin Dynasty poets gradually gets identity of rites and musical cultural. The poetic view of Ya song rised and created amount of positive praise is given priority, righteous style poem. They advocated the standard of elegant legitimism aesthetic taste were the externalization of rites and musical cultural aesthetic.Chapter four investigated the style of advocating feeling of Heluo and the emotion-oriented principle of Xijin poetry.The style of advocating feeling of Heluo primarily on the carrier of literature and music. The book of songs concentrated embody the advocates of feelings of HeLuo ancients." ZhengSheng" showed the advocated tragedy aesthetic characteristics of HeLuo ancestors. The style of advocating feeling of Heluo through developed in Western Han and Eastern Han Dynasties, through huge lofty ideological trend in Wei and Jin dynasties, has a significant impact on the literary concept of time. And it created Luji’s poetry affection, made the Xijin Dynasty poetry presents affection. Fuxuan’s kind words, Zhanghua’s be immersed in love, also can be seen emotional writing of the HeLuo regional traditional inheritance. Panyue’s say love straightly, Luji’s with the passing of sorrow, focused on the express of tragedy. They were inherited the aesthetic orientation of regarding sadness as beauty that represented by " ZhengSheng" in pre-qin HeLuo region.In chapter five, the Qingtan style in Heluo and the "Qimi" style of poetry at the Xijin Dynasty will be inspected. The "Qimi" style of poetry as the extrinsic attributes of the "Yuanqin", the emotion-oriented principle of poetry, refers to the subtle forms of poetic language and the soft poetry style. There is a special correspondence between the "Qingtan" style of study originated in Luoyang and the generation of the "Qimi" style of poetry of Xijin Dynasty. The Qingtan style of study in Heluo brings along the aesthetic orientation change of the scholars in Wei and Jin Dynasties; the language beauty such as the literary grace, rhyme of the Qingtan style of study in Heluo to some extent penetrates into the poem creation of the Xijin Dynasty; the admiration and advocating of the clear beautiful traits of the Qingtan style of study in Heluo leads the advocating and practice of the Xijin poets to the clear beautiful traits of the poetry."Thin and weak", the negative value quality of the clear beautiful traits just related to the "weak and soft power" of the poetry style of Xijin Dynasty. Here specially choose the works of Luji, a litterateur in Xijin Dynasty, as the viewpoint, from such angles of the literary grace, rhyme and writing pattern of the language form to examine the "Qimi" style of poetry at the Xijin Dynasty.The sixth chapter inspects the whole guidance of the poets’symposium to the poetry style of the Xijin Dynasty. Which related to the admiration and advocating of the traditional Chinese ritual and music system of Heluo Region includes such as the behavior of the refinement of the Luoyang poets, naming the popularity of the poets’ symposium, the "group" and "attached" consciousness and the cultural connotation of the poets’symposium. The spatial aesthetic direction of the Luoyang poets’ symposium to some extent inspires and leads the poetry style of Xijin Dynasty: Hualin garden, leading the elegant and pure aesthetic orientation; Jingu garden, inspiring and leading the private feelings; the waterfront of Luoshui River, triggering the poet’s emotion and admiration of the beauty. The literary activities of Luoyang poets’symposium inspire and lead the poetry style of Xijin Dynasty on the whole: inspiring the poetry creation, as the practice of poetry style; bringing along the comment on poem, as the aesthetic style recognition; leading the poetry dissemination, as the drive and promotion of the poetry style.