The Study Of The Rhymes In Ming-dynasty Huichiyadiao Anthology

Now,there are many anthology of the traditional chinese opera inMing dynasty, Which descendants had them finishing. the greaterimpact is shed " rare drama archieves" of Wang Qiugui editor,whichincluded next to the complex, has shed drama, Opern and so on.Tune features are named, there are two main tune:"HuiChiYaDiao"and "Kun".as far as HuiChiYaDiao opera series, only seven wellpreserved:"YueFuJingHua","YuGuXinHuang","ZhaiJinQiYin","CiLinYiZhi","DaMingChun""HuiChiYaDiao" and "YaoTianYue".Thisarticle will take this as the research object,try to combine dramatune and language to study, discuss some aspects of related issuesof linguistics and drama.Rhyme of Opera reflected the formerspoken, which can help us to understand speech spoken ChineseMing Dynasty situation, and then understand the development ofmodern Chinese.Meanwhile we can understand propagationconditions through the perspective of opera tunes.There are more complex rhyme in "HuiChiYaDiao" shed opera,with "midland phonology" as a rhyme reference check by theDepartment of joint induction, we found the the rhyme of opera canbe divided into16.The rhyme pattern is basically the same.There arenine Yin rhyme categories:Qiwei, Zhisi, Yumu, Jiama, Xiaohao,Gege, Youhou, Jielai, Chezhe; There are seven yang rhyme categories:Xianhuan, Xianlian, Jianxian, Hanshan, Jiangyang,Gengwen, Dongzhong.The characteristics are the mix of Qiwei,Zhisi,Yumu, the mix of Gege,Jiama, the mix of Qiwei,Jielai, themix of Gengqing,Zhenwen,Qinxun,the mix of Xiantian,Lianxian,Hanshan, Huanhuan, Jianxian. There are three reasons of mixedrhyme:the terms have similar rhyme voice tone, closed rhyme [m]disappeared, differentiation of Entering tone, the impact of dialecttone, voice changing individual words is not in rhyme book; thechange of the song text in the dissemination process; and "Disputebetween Tang Xianzu and Shen Jing " about the history of opera.Although the HuiChiYaDiao belongs to southern drama, but therhyme Entering is less independent, it is differentiated, enteringtone as the third tone, which is different to the northern drama.Combined with the rhyme and modern related dialects, the enteringtone rhyme ending [p] is first changed to the rhyme ending [t].Although the HuiChiYaDiao belongs to southern drama, do notfollow the " Hongwu Rhythms "Following Hongwu Rhythms in theSouth" is not about opera rhythm, but rather in terms ofpronunciation in dialogue.In ming dynasty, Whether northern orsouthern drama,basic rhyme is "Central phonology ", but the rhymeof them is not consistent completely. Generally, rhyme of southerndrama is complex.rhyme of northern drama is not complex. Bothnorthern drama and southern drama,Xiantian,Hanshan,Huanhuanare mixed, ended finals[m]is more or less reserved, entering tone ischanged to the other three tone. But the entering tone of northerndrama is not independent.mixed with Yin rhyme.there are littleentering tone, mixed Zhisi Qiwei and Yumu, mixed Gengqing Zhenwen and Qinxun in southern drama.Inside of southern drama,both HuiChiYaDiao and Kun opera have the complex rhyme, with thesingle entering tone,ended finals [m] is disappearing. they also havesome common features of southern drama: rhymed Zhisi Qiwei withYumu, rhymed Gengqing Zhenqin with Qinxun, rhymed XiantianHanshan with Huanhuan, rhymed Gege with Jiama, rhymed Jielaiwith Qiwei. But the rhyme of HuiChiYaDiao with many unfixed rhymesis more complex than kun opera. They have different rhyme constitute.Huanhuan and Lianxian is independent in Kun opera. But no longerindependent in HuiChiYaDiao, mixing into the other rhymecategories.Jiangyang is common rhymed with Xiantian HanshanHuanhuan in HuiChiYaDiao, but little in Kun opera. Although betweenSouth and North Song and opera different tune rhyme is different, butthe difference is not big, Ming Mandarin is not the Nanjing sound asthe standard, is likely to Beijing pronunciation as the standard.The theory of opera tune Sound and Emotion has existed for a longtime, this is currently more controversial, we believe the theory.GongDiao and song rhyme may reflect the song feeling, but similar tothe GongDiao, there is a certain relationship between sound andfeeling, but not absolutely necessary correspondence.GenerallyXiaohao showed with a rich lingering, Jiang Yang Yun said majesticmelancholy meaning, Qiwei generally expressed sentimental sighslightly sad, Jiama generally expressed charming charming,Gengqing Yun said sad complain curtain.On the origin of Qingyang tune, it was considered on the basis ofYiyangqiang produced, it was considered on the basis of Yuyaocavity generated. As far as the rhyme, although based on" Central phonology ", it is still similar to Wu dialect, Hui dialect, Ganlanguage, Jianghuai Mandarin,which the highest similarity with Wudialect and Hui dialect, That is, the relationship between theQingyang tune and the Yuyao tune is larger than Yiyang tune. BecauseYuyao dialect and Anhui southern dialect are belong to the same Wudialect area, because of the similar voice, it is more conducive tothe spread of Yuyao tune in Qingyang, etc. So that under theinfluence of Yuyao tune,Qingyang tune produced.