A Study On The Theory Of Ancient Phonology Of Wang Niansun And DUSHUZAZHI

The aim of this paper is to study comprehensively and deeply theory of ancient phonology (including ancient consonant, rhyme and tone of voice) of Wang Niansun, And discuss practical guiding significance in the study practice to DUSHUZAZHI. Questions that will be discussed include the formation process and framework of theory of ancient phonology of Wang Niansun, the application of ancient phonology in practice to xungu and jiaokan, and the occasional mistake in practice of studying DUSHUZAZHI. The main contents is introduced as follows:To begin with, four parts are introduced. First, I will briefly introduce the life and academic activities of Wang Niansun, focus on activities related to DUSHUZAZHI. Second, I will analyze the role of theory of ancient phonology in the study to ancient books, Mainly elaborating the important cause that Linguistics research reached a peak in the qing dynasty. Third, I introduce the academic characteristics in qianjia period and Wang Niansun, in addition I speak of academic exchanges about Wang Niansun and and other important scholars in the qing dynasty. Fourth,1took about the modern academic research status about DUSHUZAZHI and I look at the insufficient of research to guiding function about theory of ancient phonology of Wang Niansun to Academic practice.In the second chapter, I discuss ancient initial consonant system and the practice of DUSHUZAZHI. According to Wang Guowei's textual research and the Choreography style in SHIDA, I reappear twenty three ancient initial consonant that Wang Niansun have concluded and introduce the impact of Dai Zhen's theory about tongwei (??) and weitong (??) to Wang Niansun. as investigation object with language materials in DUSHUZAZHI, I check out similar items Related to ancient initial consonant and Analyze and evaluate the types of communicate with each other.The third chapter analyze and discuss the theory abou ancient rhyme and study practice to DUSHUZAZHI. Wang Niansun had four contributions to the ancient rhyme division. Wang Niansun's ancient rhyme had twenty one sections or twenty two sections. as investigation object with language materials in DUSHUZAZHI,I introduce the case about ancient rhyme types of communicate with each other. The chapter Truly reappear some parts of theory about subsection in ancient rhyme. Moreover,I briefly introduce the advocation that Wang Niansun claimed Chinese ancient language was divided into four tones.In the fourth chapter, I introduce the application of Wang Niansun's ancient phonology in xungu practice of DUSHUZAZHI. First the paper outlines the theoretical basis about Wang Niansun's xungu practice, such as ancient phonology theory, yinzhuan(??) theory, and recognition to the relationship between the pronunciation and meanings of words. The second place discusses the role of ancient phonology in the practice activities of jiajie (??) in DUSHUZAZHI. The third di scusses three methods that DUSIIUZAZHI reveal tongyuan(??) words, they are shengxun (??),yinzhuan and youwen(??). The fourth introduces that a word has much meaning. The fifth discuses the relations of lianyu(??) with fuyu(??) and pingl ieerzi (????).In the fifth chapter, I introduce the appl i cat ion of Wang Niansun's ancient phonology in jiaokan practice of DUSHUZAZHI. The views will be ainly discussed from the following several aspects:identifying error of sound, correcting the mistake using rhyme, identifying wrong uses of word and jiajie words, Correct the errors of copiers and annotations of ancient books because of jiajie.In chapter six, I revealing some errors about's ancient phonology theory and applying in DUSHUZAZHI. In ancient phonology, there are contradictions about relationship between ancient consonant and relationship between ancient rhyme, and malady that Wang Niansun occasionally talked about the ancient words with zhonggu(??) pronunciation. Finally, I look at sone error in xungu and jiaokan.