The Research On The Ci Of Vietnam Nguyendynasty

Vietnamese Ci is the words created by Vietnamese who filled in the original Chinese Ci,according to the standard of using Chinese characters,like level and oblique tones,rhyme and so on.It is the testimony of relationship between China and Vietnam.Similarly,they are the priceless literary treasures in the cultural exchange.Through the spread of books and exchanged envoys,the literal form of Ci were root and sprout in Vietnam.And this kind of particular literal form had many considerable artistic achievements that reached its peak in the period of the Nguyen dynasty.But for different reasons,Vietnamese Ci is not deeply focused on the academic circles of these two countries.Therefore,we have only a superficial understanding of this problem and many historical facts of misunderstanding today.This paper takes "The research on the Ci of Vietnam Nguyen dynasty" as the research object,there are two main goals:one is correcting mistakes,secondly need to deepen.On the one hand,through analyzing the part of Ci,in order to comb internal errors within the literature and the misunderstanding of the documents.On the other hand,we need to research further deepen Ci.For example,the artistic way of Ci and poet's psychology in internal anatomy,as well as the external influence factors such as politics,culture,and the individual circumstances.At the end of researching Vietnamese Ci's group and individual case,this paper argues that many envoys between these two countries have played a decisive role in the process of Ci incoming and development.Vietnamese Ci's authors have had close communication with Chinese authors by travelled China.That's the reason why the almost lyricist were upper class Vietnamese,among them members of the royal family and officer families.Ci is numerous in different ways and different styles,but show the same tendency totally:Attaches more importance to the literary properties than music properties.Although Ci in Nguyen dynasty follow the original form generally,also have a lot metrical poetry's phenomenon.As the author thought,we haven't found the phenomenon that Ci as a singing in Vietnam.It is closely related to analyze the problem of music and lyrics.This article has three parts include Introduction,Text and Epilogue."Introduction to review and analyze" has explained and expounded this paper,that aim at the shortage of the research in Chinese and Vietnamese academic world,by theoretical basis,the research object,research value,research methods,etc.The text is divided into five chapters:The first chapter is the summary that combs the development of Ci before the Nguyen dynasty.This article briefly stated the Vietnamese Ci appeared,the development situation and characteristics before the Nguyen dynasty.This is the Ci basic background about the development of Vietnam's Nguyen dynasty period.The second chapter is the overall research,mainly including development status of Ci in Nguyen dynasty,like social history background and development process.Ci were influenced by Chinese culture,especially by the Qing dynasty,therefore Ci had a high achievement in the history of Vietnam Nguyen dynasty.Ci created outstanding contributions for Vietnam history.But the Ci in Nguyen dynasty took some example by Chinese poetry,the other part was literati of the harvest.The fourth to fifth chapter of this paper is the poet's individual research,focusing on representative poets and their works in Nguyen dynasty period.But these three chapters have their own focus according to the different objects.The research in the third chapter is mainly about the content and artistic style of Nguyen Mien Tham and his "Gu Yi Ci".Nguyen Mien Tham was not only a Vietnamese writer who had a largest number of Ci in the history,but also its artistic unique achievements.His Ci had many rich contents,describing scenery elicited emotions,presenting songs,etc.Nguyen Mien Tham learned from Jiang Kui and Zhang Yan in the field of art,refining and elegant.In this paper,the author carried on the thorough analysis that combined with his identity,encounter,mentality on such problems as the cause of his creative achievements.The fourth chapter is the mainly investigation and analysis in regard to the other poet,the "Meng Mei Ci Lu" of Dao Tan.On the basis of research results of the predecessor,the author through further investigation and analysis,and shown that "Meng Mei Ci Lu" was the fake by later generations.Among of them,there had 60 works copied from Chinese ci,like the early and mid-Qing dynasty and Yi Jun Zuo in modern times.The investigate in fifth chapter is mainly about the opinion of Nguyen Mien Trinh.The four papers he left were rare literature in the history of Nguyen dynasty.In this article,comparing with the thoughts of Chinese and Nguyen Mien Trinh.The author thinks that there are the three main point of views:the first,poetry had the same source,but different qualities;Secondly,the content of ci-poems attached more important form,for instance,"meaning was more important than tone ","natural" works were the best,so create needed random.The third,the history of the Ciis not complete.He thought Ci declined in the Yuan dynasty,and the lack of basic understanding about Ming and Qing dynasties.Nguyen Mien Trinh had very special ideas in learning Ci.He can not reflect the views of the whole Vietnamese Ci in Nguyen dynasty,but to some extent,his different revealed that this style had value orientation and cultural situation in Vietnam.In the part of the Epilogue,author further summarizes the Vietnamese Ci and the achievement of Ci,which positioning in the historical views of the Nguyen dynasty.Finally,the author also hopes to be able to cause the researchers for the further thinking relationship between Chinese and Vietnamese literature,especially in the field of Ci.We'll look forward to the more depth and breadth researches.