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The object of study in this paper is Qin Wenchen’s music.The research subject is Qin Wenchen’s Four Orchestral Works and other works.This paper adopts the interdisciplinary research method to analyze Mr.Qin Wenchen’s composing technique with the reference of philosophy,aesthetics,cultural anthropology,linguistics,art and other subjects.The writer explains the motivation and cultural understanding of the occurrence,and discusses the organization and cultural features of the sound language in the Composer’s music.In this paper,the writer analyzes the Composer’s concrete language strategy and illustrate the culture understanding and spirits behind the music language in aspects of structure organization strategy and concept,sound process,rhythm and time,timbre and so on.The paper is made up of three parts.The first part introduces the research object,scope,current situation and methods and of Mr.Qin Wenchen’s journey of composition.This part also clarifies the context of the research of sound and culture.The second part focuses on the analysis and interpretation of the technical strategies and cultural inter-textuality in the language organization.The third part summarizes the characteristics of Mr.Qin Wenchen’s musical language style and the cultural spirit representation.In the third part,the writer puts forward three dimensions of language conversion and the cultural spirit embodied in works,and the significance of the Composer’s music composition and his thinking on cultural philosophy.The purpose of this paper is to observe the Composer’s world of sound and way of understanding the culture through the case study of Qin Wenchen’s music,and enter into the deeper culturel existence through micro and specific sound and signal language.