The Voice Of Cold In The Flourishing Age:A Study On The GaoMi Poem School

GaoMi poem school is very influential in Qing dynasty.It's impact beyond Qilu and lasted for two hundred years.The poem school have traditional spirit and regional characteristics.But the study of GaoMi poem school seems insufficient Obviously.The 60s of last century,there were articles on it,since 90s the poem school were arousing the attention of the academic community gradually.But the study of This period is insufficient and incomplete.The research about GaoMi poem school has three problems which we have to face.First of all,there are not any special research about GaoMi poem school.Secondly,there are lack of the mastery of related materials.Thirdly,many of studies basically follow Wang Pijiang's ideas.Fourthly,other important poets such as Li Bingli,Liu Daguan and other GaoMi poets have not been further studied.Based on this,to study systematically and thoroughly on Gaomi poetic school is the expectation of this topic.The research method of the paper is analyzing the works of GaoMi poem school,with the help of other documents such as historical works,local chronicles,and using the knowledge of history,culture and linguistics,combined with character,learning,ambition and experience of GaoMi poem school.The purpose of the paper is to analyze the similarities and differences of members of GaoMi poem school,focusing on the creation of all the poets.In order to clarify their respective roles in the rise and spread of Gaomi poets,and explore the theme of each member's poetry and the uniqueness of artistic techniques.Exploring the commonalities in the comparison of personality,thus revealing the characteristics and value of this poetic school.And on this basis,to discuss how the scholars in historical turning period use their poems to express their closely-question and thinking about life and age which they live in.And then explore their inner world,and research the complex relations of literature,society and life.The paper is composed of seven parts.The first chapter analyzes the reason for the rise of GaoMi poem school.Analysing the inevitability of the rise of poetry school in the three aspects:The development trend of classical poetics in Qianjia period,the Poetic tradition of ShanZuo and the living status of poor scholars.In the middle of the Qing Dynasty,from Wang Shizhen to Shen Deqian,all of them were praising the world in a superior tone.Yuan Mei,who advocates 'XingLing'and leads prosperous lives,display the style of the prosperous literati,by showing of his talent.The poetry circles of Qianlong and Jiaqing have been enveloped in the so-called atmosphere of universal peace.This atmosphere is quite different from those experienced by the poor scholars at the bottom of the intellectual class,impeling the poor scholar to rethink and criticize calmly.Finally,another kind of poetic style formed in the Qianlong and Jiaqing poetry circles.In addition,for Gaomi poem school was deeply influenced 'by regional culture,and poetic circles has always been largely constrained by Confucian poetics,they follow the "rectification mechanism"of Chinese traditional poetics,rectifies the malpractice of the divine charm and remedies the corrupt practices of the poetics by using the ancient poetics of the ancient people.Its rise meant another turn of poetry:going from elegance back to calm gradually.The difference of regional culture makes it different from the "Xing Ling theory"advocated by Yuan Mei in Jiangnan in the same period.The second chapter analyzes Gaomi's poetic thoughts from the aspects of"respecting the ancient meaning and making the true voice"and "abandoning swimming with the stream and avoiding the current customs".In the face of disappointing social customs,Li Huaimin and Li Xianqiao advocated that poetry should express the poet's true temperament,so they emphasized the cultivation of the poet's subjectivity and spirit;at the same time,they advocated that the creative subject should not conform to the public,and should break through the creative methods of the established law,and strive to avoid the current customs.Based on the similarities of their poetic viewpoints,then analyzes the differences between Li Xianqiao and Yuan Mei in their understanding of the contradictions in the poetic circle and Li Huaimin's commentary on Zhang Ji's poems,so as to gain insight into their unique understanding of the poetic issues of concern respectively.The third and the fourth chapters analyze Li Xianqiao's personality,origin,and themes of poetry.First,carding Li Xianqiao's personality and thought,and then analyzing Li Xianqiao's Poetics and the origin of the teacher's method in poetry creation,to clarify the surface origin and deep source problems in the origin of the teacher's origin..Then it analyses the realistic consciousness of Li Xianqiao's poetry,and travels the landscape poems of the Homesick Poems,and analyses the characteristics of his poetic creation,such as the scenery,the explanation,the dynamic and the static,the allusion to the allusion,and the aesthetic features of his poetry.The fifth chapter analyzes Li Huaimin,another leader of GaoMi poetic school.This part analyzes the self consciousness of Li Huaimin's poems from three aspects:the enjoyment of mountains and rivers,the interest of idyllic gardens and the worries of traveling.From the aspects of the choice of image,the creation of artistic conception and the mechanism of the connection between the scene of the scene,this part observe and study the creative characteristics of Li Huaimin's poem "expressing emotion in poetry".The sixth chapter analyzes Li Xianhao's temperament and thought,poetry thought,poetry content,and the creation mechanism of the scene,which highlights the character of the combination of Li Xianhao and poets.The seventh and the eighth chapters mainly analyze the poems of two important poets who met "two surrnamed Li"in the west of Guangdong Province:Li Bingli and Liu Daguan.They had a very close relationship with "two surnamed Li",especially Li Xianqiao.Although Li Bingli and Liu Daguan lived in great life,rich family and high social status,which different from other poets of GaoMi poem school,they admired the character and knowledge of the leaders of GaoMi poem school,and had a strong recognition of the personality,poetics and poetic style advocated by the GaoMi poem school.So they was deeply influenced by GaoMi poetics and their poetry was all clear.Later they became important members of the GaoMi poem school.The seventh chapter and the eighth chapter respectively discuss the origin,connection and identification of them to GaoMi poem school,and focus on the characteristics of their poems.The seventh chapter mainly observes and study Li Bingli's method of Tao Yuanming and Wei Yingwu's performance.The poetry of Li Bingli and the poems of Wei Yingwu all reflect the pure nature of the creative subject,the spirit of fusion and the impersonal writing tendency,which is related to the spiritual harmony between the two people.The eighth chapter analyzes the poetry of Liu Daguan,a member of Gaomi poem school.It discusses his learning with change,the fresh and elegant style of poetry,the metaphysical thinking:understanding the working of universe and the creative way of creation.It also makes a detailed analysis and reflection on the paradoxes and causes of his identity and mentality.The ninth chapter analyzes Gaomi poets including "Gaomi Sanshan","Hou Siling"and Wang Xinting.Gaomi poetic school was created by Li Huaimin and propagated by his younger brother Li Xianqiao.But before them,Shan Kai and Shan Zongyuan in the "Gaomi Sanshan"list have laid the foundation for their pioneering spirit.In his contacts with Gaomi poets,Shan Lang selectively absorbed and changed Gaomi poetics and retained his own characteristics.The influence of Gaomi poets can last for nearly two hundred years because of the succession of their posterity.Among them,"Hou Siling" showed absolute emphasis on the Gaomi poetic school in Poetics and creation.However,Wang Xinting's poems are unique in style,with a clear and super-fresh style,which has realized the inheritance and even breakthrough of Gaomi's poetic style.On the whole,there is a strong sense of reality in the poems of the members of the Gaomi poem school.Therefore,if it is classified as "backward" and"conservative",it is not true.Although the poetics of Gaomi poem school has not surpassed predecessors,it still belongs to the category of traditional poetics.However,it should be different from the eschatology of Han Meng poem school,such as the"Si Ling"of the late Southern Song Dynasty,the Jingling poem School in the late Ming Dynasty and the same light as the representative of Chen Yan in the late Qing Dynasty.The selection of the Gaomi school for Han Meng's poetry school is not only out of the close mental state,but also the desire to save the poetic style of the poetry in the middle of the Qing Dynasty.They regard Han Meng's poetics as a theoretical weapon to reform the abuse of the poetry circle,and hope to make the Qing poetry return from fresh to the solid track by its cold and hard work.Actually,the existence of Gaomi poem school has not only quietly promoted the transformation of poetry from fresh to solid in the Qing Dynasty,but also for the future generations to understand the relationship between poetry and the times,and to provide a reference for the relationship between poetry and the movement of the times.