Study Of Image Landscape Oil Painting In The Context Of Traditional Chinese Aesthetics

"Image" is the core category of Chinese traditional aesthetics and it is the dominated spirit of Chinese fine art.Image landscape oil painting is the offshoot of"oil painting" which has been integrated with Chinese native culture since it was introduced to China.It not only contains the influence of western literary and ideas in art and technical language on Chinese oil painting,but also includes the impact of the national literary and art spirit.This study takes Image landscape oil painting as the object in this study.The basic idea of the research is to trace and analyze the related concepts of Image landscape oil painting in the context of traditional Chinese aesthetics.The paper expounds the self-awareness and self-independence of abstract landscape oil painting and its characteristics of "imagery".Besides,it explores the influence of Chinese traditional aesthetics on Image landscape oil painting and its internal logic.Analyzing the development and problems of Image landscape oil painting through comparative research,communication and interviews and self-exploration,while furnishing some personal views.This essay also puts a further consideration in culture and outlook on Image landscape oil painting above all of these factors."Categorize academic and examine their origins carefully and clearly".The first part of this study is about the occurrence and comparison of the category of"image".which mainly to interpret "image”and its related concepts,and the aesthetic characteristics of the category of "image".The second part mainly expounds the conscious self-reliance of Image landscape oil painting,which is the background and origins of Image landscape oil painting.On this basis,this chapter analyzes the features in Image landscape painting from the four aspects of "Form","Color","Space" and "Art conception".The third part basically demonstrates the internal logic of Chinese traditional aesthetics and Image landscape oil painting by combining the formal style of Image landscape painting.First of all,this part makes a brief analysis of the basic characteristics of Chinese traditional aesthetics,such as the aesthetics of "simple"in Taoist,the aesthetics of "calm" in Confucian.and the aesthetics of "empty spirit"in Zen.Secondly,this study probes into the influence of Chinese traditional aesthetics on Image landscape oil painting from four aspects:natural view,aesthetic concept,spiritual pursuit and art expression.Based on the background of the integration of Chinese and western literature and art,this thesis analyzes how Chinese oil painters convey the dominating elements of traditional Chinese aesthetics.The fourth part analyzes the development and some problems in modern Image landscape oil painting.First of all,this article represents the development of modern Image landscape oil painting from the four aspects of "regional exploration","philosophical thinking","Language skill" and "life spirit",and discusses related cases.Secondly,this chapter analyzes some problems that appears or looms in the development of current Image oil paintings,such as "art language assimilation",blunt" in sketching,"graphic phenomenon" in art creation,and "the individual climax experience" is missing and so on.Based on all of theses,this section puts forward some suggestions,we wish it could evoke oil painter and art lover's thinking.The fifth part is about the cultural considerations of Image landscape painting and its future development.The art of the times also has the characteristics of the age.Image landscape painting is also associated with the development of the times.With the development of economy and culture in China,the Image landscape oil painting is also full of vitality and energy.Based on this,This chapter will combine the current situation of Chinese society to go into the development of Image landscape oil painting,and above all of these,we are looking forward to the blossom of Image landscape oil painting.In summary,this study probes into the image landscape oil painting in the context of traditional Chinese aesthetics from multiple levels or perspectives,including time clues,internal logic,tracing back to the origin,explore the logic of relationships,presenting the current situation and analyzing problems,and then it turns to the regularity of development in in art.On this basis,this study also takes lots of art creation as example to provide a comprehensive and profound exploration of Image landscape oil painting,and it configures a clear logical connection on the whole.