Frame "event"

The anuimation production of layer-by-layer and single-frame forms constitutes a setof discourse systems that is based on the frame similar to the linguistic structure.In thissymbolic system,which tends to be both synchronic and diachronic and based on thematerial properties of the signifier,the symbols of animation---narration and live-actionmovies take it as a representation system for constructing their own meanings,become away to re-elaborate aesthetics on the social and cultural level.However,from the externality,this cultural representation is unable to expound the materiality of theanimation media.That is,the animation,through the order of the frame,can not onlyconvey and imply "what happened”on the narrative level,but this "behavior" exists in amaterial dimension with depth and breadth.In this material reaction flows,words andnarration are an effect rather than a whole.We cannot exhaust its possibilities in a systemof single visibility,which is the virtualite state of animation.Animation,as a kind of "hand-painted philosophy",is the willingness and ability toconstruct images with non-automatic methods under the overall will of human beings.The combination of human and animation media makes it become the sender of production instructions.Although the media object carries the subjective impression ofhuman beings,"there is no way to exhaust the types and existence modes of the object".In return,the meaning of "materiality" is "the asymmetric relationship among thoughts."Therefore,in the production field of automous animation linguistic structure,"human" isactually a production strategy.Based on the "thesis-antithesis-synthesis" dialectics ofthree production strategies,this paper analyzed and studied the symptoms caused by thematerial relationship in each animation production strategy,and then explained that theincentive is caused "unconsciously" by the materiality of the animation media.Starting from the relationship between viewing and production,this paper discussedthe study of animation materiality revolving around the evolution path between animationform and viewing,the relationship between ontology and theoretical configuration,andthe relationship between production strategy and media,as well as the symptom reflectionof the animation media in different production mechanisms.