Research On Miao Embroidery Patterns In Xiangxi

The Xiangxi Miao belongs to the eastern dialect Miao ethnic group,which is one of the three major dialect groups of the Miao.The Xiangxi Miao embroidery is an important part of the Miao embroidery of the Miao.Due to geographical environment,social history,economic production,etc.,the Miao culture in western Hunan has a certain connection and blend with the Chu culture,Han culture and other minority cultures.Therefore,as an important carrier of the Miao culture in Xiangxi,there are also various blending patterns Unique look.This article takes Xiangxi Miao embroidery pattern as the research object,combines it with ethnic culture,national philosophical thinking,and aesthetic thinking to conduct interdisciplinary and comprehensive research,and discusses it in terms of vertical depth,such as the creator's mind concept.It is hoped that it can play a role in enriching and supplementing the current research on Xiangxi Miao embroidery patterns.This thesis conducts integrated research on the topic selection from the perspective of cross-disciplinary analysis and cross-disciplinary integration,combs the derivative origin and application of techniques of the Miao embroidery pattern in western Hunan,analyzes the modeling features generated in the development process,and discusses in depth Discussed the cultural and aesthetic connotations of Miao embroidery in western Hunan,and discussed the cultural,artistic and economic values,contemporary and practical significance of Miao embroidery in western Hunan,how to develop in the future,and strived to sort out the cultural origin and modeling features of Miao embroidery in western Hunan,Aesthetic traits to come up with new and valuable points of view,so that this topic research has a contemporary significance in line with the development of the times.This thesis is divided into six parts,which are developed in a progressive manner.First of all,the thesis discusses and analyzes the preliminary work,derived origins and techniques of The Xiangxi Miao Embroidery patterns with three chapters,including introduction,chapters One and Two,and the modeling features generated in the development process.On this basis,the fourth chapter of the thesis explores the cultural and aesthetic connotation of Miao Embroidery in Western Hunan.The final conclusion part discusses the cultural,artistic and economic value of The Xiangxi Miao Embroidery Pattern,contemporary and practical significance,and how to develop in the future.In the introduction,first,this thesis describe the origin of the topic selection research and four aspects of the significance of topic research.By constructing a more deeply understanding of The Xiangxi Miao Embroidery Pattern,to promoting the overall thinking of the research on The Xiangxi Miao Embroidery patterns,and protecting the cultural soil of the Xiangxi Miao,and establishing the research on The Xiangxi Miao Embroidery pattern in The contemporary significance.Secondly,through the research of the whole Miao embroidery patterns and the study of The Xiangxi Miao Embroidery Pattern,the relevant dynamics of topic selection research in this thesis are described,and the shortcomings of the existing research are analyzed to find out the direction for the research of this thesis.It also lists the relevant theoretical knowledge of major subjects(the fine art),as well as auxiliary theoretical knowledge.It also elaborates the main research methods such as field survey and interview,image collection and analysis,interdisciplinary research,comparative research,literature research and analysis.On this basis,the innovation of the topic selection study is clearly defined as "three points of providing special and true cognition,putting forward new ideas,and carrying out comprehensive investigations." Finally,it describes the schedule and expected goals of the dissertation.The first chapter summarizes the characteristics of The Xiangxi Miao Embroidery patterns from the overall macro perspective.From the ethnic migration history of the Miao people,the distribution of the three major Miao ethnic gathering areas gradually formed in the historical changes,and from this,a comprehensive overview of the main features of the Miao embroidery in the three regions is given,and the eastern part has its unique characteristics.The Xiangxi Miao Embroidery Pattern is different from Miao embroidery in other areas.Thereby enter into the specific introduction to The Xiangxi Miao Embroidery patterns in western Hunan.Due to the differences in geographical environment,economic production methods,and human environment,the characteristics of The Xiangxi Miao Embroidery patterns in the three major gathering areas are different.The Miao embroidery pattern in western Hunan,which is located in the eastern Miao gathering area,has different aesthetic features than the Miao embroidery pattern in the central and western regions.Secondly,this thesis defines the specific research scope,analyzes the background of Xiangxi Miao embroidery pattern,and then elaborates from the geographical environment,economic production methods,and the historical and cultural origins of The Xiangxi Miao Embroidery pattern.From the perspectives of geographical access,economic prosperity,and deep historical and cultural origins,the formation basis of the characteristics of the Miao Embroidery pattern in western Hunan is explained.Finally,the concept of the Miao embroidery pattern in western Hunan is defined by this thesis.The essence of the aesthetic characteristics of the Miao embroidery pattern in western Hunan is the crystallization of wisdom created by the Miao women after the integration of Miao culture and art with Chu culture,Central Plains culture,and Huxiang regional culture and art.The second chapter,because The Xiangxi Miao Embroidery Pattern is firstly the practical arts and crafts,so the process is analyzed first.This chapter introduces in detail the making process of The Xiangxi Miao Embroidery Pattern from tools,materials,production steps,main needles and techniques.In addition,the application types of The Xiangxi Miao Embroidery Pattern are unified into three categories:clothing,utensils,and sacrifices.Based on detailed field research data,the application categories are combined with animal and plant,belief,and other theme categories for narrative analysis.This thesis researched the form of Miao Embroidery Pattern in Xiangxi Miao People's Life,started from the visual form of The Xiangxi Miao Embroidery Patterns,and focused on analyzing its modeling characteristics.Finally,this thesis analyzed from the three aspects of shape,color and composition to the Xiangxi Miao Embroidery Patterns.The third chapter is the key part of the research of this thesis.Based on the analysis of the external visual expressions of The Xiangxi Miao Embroidery Pattern,the third chapter focuses on exploring the rich cultural connotation behind The Xiangxi Miao Embroidery Patterns.It contains the views of the universe,life and world of the Miao people in Xiangxi.For example,the appearance of the two-string,four-dimensional,octagonal,and four-dimensional figures in The Xiangxi Miao Embroidery Pattern contains the understanding of the heaven and earth by the Miao people in Xiangxi,which is the presentation of the universe view of the Miao people in Xiangxi.Another pattern,such as Taiji,gossip,and Yin Yang numbers,is the concept of the world in which the Miao people in western Hunan are integrated with heaven and earth and Yin Yang.The image of maple and butterfly mother appear The Xiangxi Miao Embroidery pattern,which symbolizes the worship of nature,the endless pursuit of life,the pursuit of auspicious and happy life,which is the manifestation of the life concept of the Miao people in Xiangxi.This chapter further analyzes the aesthetic connotation of The Xiangxi Miao Embroidery Pattern,studies the creative concept behind it and the beauty of life,and pays attention to the connection between it and the national spirit.This chapter first analyzes the creative concepts implied by The Xiangxi Miao Embroidery Pattern.Its creative method full of imagination,multi-angle perspective,and diverse space reflects the creative thinking of "artistic images created to convey theirmeanings" of the Miao people in Xiangxi;it originates from life,innocent and free creative psychology,and reflects the free creative mind and Creative status.It is this living creative soul that gives birth to the beauty of the true vitality implied by The Xiangxi Miao Embroidery Pattern.And what gave birth to this concept and the sense of beauty was the national spirit of the Xiangxi Miao people who were truly romantic,pioneering and hardworking,and identified with cohesion.The fourth chapter discusses the value and development of The Xiangxi Miao Embroidery Pattern in a rapidly changing contemporary context.First,the cultural,artistic,economic value,and contemporary significance of The Xiangxi Miao Embroidery Pattern are analyzed and established from the perspectives of pluralistic integration,the rejuvenation of the Chinese nation's culture,and the traceability of the traditional culture of the Chinese nation.Second,further implement its cultural,artistic,and economic values into the contemporary context of reality,from relevant companies' design and development methods such as the interpretation of elements of The Xiangxi Miao Embroidery Pattern,cultural refinement,and integration of modern design concepts.Explore the economic value and practical significance of The Xiangxi Miao Embroidery Pattern from the perspectives of product transformation and re-creation and promotion of local economic development.Based on the actual situation,the issue of the new path for the development of The Xiangxi Miao Embroidery Pattern is discussed from the material and spiritual paths.About the Xiangxi Miao Embroidery Patterns,this thesis through the reference to the research theory of the protection of intangible cultural heritage,and put forward suggestions for the protection of The Xiangxi Miao Embroidery Pattern that the quality of craftsmanship should be improved materially,and new methods of material construction and development combined with contemporary scientific and technological resources such as 5G and AR should be improved;the cultural self-confidence and conceptual level of the creative subject should be raised spiritually,and the continuation of the national spirit should be paid attention to in the process of development.Finally,the thesis explores the contemporary significance of the study of The Xiangxi Miao Embroidery Pattern,and explores the Xiangxi Miao Embroidery Pattern as a part of the expression of beauty by the human race,its significance of the community of human destiny.After the above analysis,the article concludes with a summary of the full-text writing content,narrates the breadth and depth of the research in this article,and also describes the research limitations and problems encountered in the writing,and the efforts to overcome them.The Xiangxi Miao embroidery pattern is the memory of the Xiangxi Miao people's own ethnic culture.It retains the original state of the culture,spirit,and beliefs of the ethnic group.It is issued by the entire Xiangxi Miao ethnic group and the life of each person of the Xiangxi Miao people.Aesthetic activities.The Xiangxi Miao embroidery pattern is the emotional transcendence of the Miao people in Xiangxi towards real life,the way to achieve spiritual freedom,the sustenance of a better life and a more poetic pursuit of survival,it is also the vigorous life spirit of the Miao people of Xiangxi,and nature The endless vitality inherent to each other merges and reflects each other.The Xiangxi Miao,Chinese,and human races are all a whole.Research on the Xiangxi Miao embroidery patterns can help inherit the culture of the Xiangxi Miao and protect the diverse and integrated culture of the Chinese nation;help promote the culture of Xiangxi Prefecture,Hunan Province,and even the country Prosperity and development;conducive to contribute to the continuous development and advancement of the Chinese nation and mankind from local to overall.