A Study On The Dissemination And Acceptance Of "Chu Ci" In Ming Dynasty

Since the Han Dynasty,"Chu Ci" has been spread and accepted that has continued,become a kind of special cultural phenomenon,almost ran through our country whole tradition time.However,after accepting the silence of the previous generation,"Chu Ci"of the Ming Dynasty showed new characteristics and new development pattern under the influence of neo-confucianism and other ideological trends.Based on the research results of predecessors in the academic field,this paper holds that there are significant regional differences in the dissemination of "Chu CI" in the Ming Dynasty,which is manifested in the pattern of more in the south and less in the north.In the Ming Dynasty,the audience reading the "Chu CI" was very broad,from the royal family to the grass-roots people.In addition,with the help of Bibliophiles'rich collections and advanced engraving technology,the text of "Chu CI" was able to spread and gradually spread to all social strata under the support of increasingly advanced printing technology.Finally,from the academic point of view,scholars in the Ming Dynasty focused on the interpretation of"Chu CI"from personal understanding,creating a new model of the combination of criticism and annotation.From the point of view of literary characteristics,the prevalence of "Chu style" can not be separated from the wide spread of"Chu CI" in the Ming Dynasty.The whole thesis is divided into six chapters.The first chapter summarizes several important stages of the dissemination and acceptance of "Chu Ci" before the Ming Dynasty,and analyzes the acceptance views of the important figures who accepted "Chu Ci".This chapter holds that the dissemination and acceptance of "Chu Ci" are different in different periods.From the Han Dynasty,the customs of "interpreting Sao through classics" gradually came into being.When he arrived in Liang Dynasty,Crown Price Xiao Tong of the Southern Dynasty first broke the centyries-old tradition of "using classics to explain Sao",the aesthetic value of "Chu Ci",such as its gorgeous literary grace,romantic Literary style and the use of Metaphor,is fully affirmed.After the Tang,Song and Yuan Dynasties,according to the different backgrounds of the Times,the acceptance of Qu Sao became a situation of coexistence of criticism and praise.The second chapter discusses the reasons of the wide spread of "Chu Ci" in the Ming Dynasty,the regions of spread and the circulation mode of spread,and concludes that the wide spread of "Chu Ci" in the Ming Dynasty,it thrives on a comples cultural system of readers,suppliers of raw materials,printers,booksellers,and other people and social classes,whithout any of them,the impact on it is incalcuable.At the same time,through the analysis of the location of the "Chu Ci" printed in the Ming Dynasty,the author thinks that there are regional differences between the north and the south in the dissemination of the "Chu Ci".Finally,referring to the French book historian Darnton's theory of "circulation mode of communication ",the paper analyzes the circulation mode of "Chu Ci" in the Ming Dynasty.The third chapter mainly discusses the main body of the dissemination and acceptance of "Chu Ci" in Ming Dynasty,namely the reading situation of the readers of"Chu Ci",it can be divided into four types:reading by the Royal Family members,reading by scholars and students,reading by the general public,and reading by Korean readers of Li's family.The analysis shows that from the existing historical materials,the main body of readings "Chu Ci" in the Ming Dynasty is quite extensive,from the royal family down to the grass-roots level,all have examples of reading "Chu Ci",especially the readers of the Lee Korean dynasty in the circle of Conflucian cultural,There is also a large readership who is well versed that in "Chu Ci".They all drew rich nourishments from "Chu Ci",Which laid a foundation for their Fu literature creation.The fourth chapter discusses the situation of collecting,borrowing,printing and distributing "Chu Ci" by the Bibliophiles of the Ming Dynasty,and the publishing,selling and selling of "Chu Ci" in the Ming Dynasty,This paper probes into the dissemination of "Chu Ci" in Interpersonal Communication,exchange channels,circulation channels and other aspects.It is believed that with the help of the great quantity of books collected by bibliophiles and the fine collation,the text of "Chu Ci"was printed and spread to every stratum.The fifth chapter takes the academic development of the Ming Dynasty as the track,inspects each literature school's the "Chu Ci" acceptance situation.It is believed that in the early Ming Dynasty,Zhu Xi's thought of science dominated,and the acceptance of"Chu Ci" was long under the influence of zhu Xi's neo-confucianism.After that,the rise of "Shigu Xue",represented by Li Dongyang and others,made the cceptance of "Chu Ci" get the opportunity of development to a certain extent.However,the "Shigu Xue" is still under the influence of neo-confucianism.In the late Ming Dynasty,Yangming's theory of mind began to dominate the literary world of Ming Dynasty,The "Shixin Xue"began to rise.At the same time,this period "Chu Ci" commentary works also began to flourish.In the end of the Ming Dynasty,the Donglin Party accepted the "Chu Ci" with the idea of gentleman and villain,which became the beginning of the study of "Chu Ci".The Six chapter probes into the characteristics of the dissemination and acceptance of "Chu Ci" in the Ming Dynasty.From the academic point of view,scholars in the Ming Dynasty focused on the interpreting "Chu Ci" from their personal understanding,not believing in the annotations of their predecessors,at the same time,the collection and evaluation of works began to prevail,creating a new mode of combination of commentary and annotation.From the point of view of literary characteristics,the prevalence of "Chu Style" can not be separated from the wide spread of "Chu Ci" in the Ming Dynasty.