Study On The Annotation And Clarification About Most Of Lo Po' Poems By Zhujian

This paper studies The Annotation and Clarification about Most of Li Po's Poems by Zhujian of Ming Dynasty. It is based on Zhu Shouxing's block printed edition in 1572 which was collected in National Library.This book is composed of two parts, Annotation about A Part of Li Po's Poems (thirteen volumes), and Clarification about A Part of Li Po's Poems (two volumes). As an important annotation about some Li Po's poems in Ming Dynasty, this book haven't been collated and studied by any book before.As the collation of ancient books provides the firsthand information for accademic study, to collate, check and punctuate The Annotation and Clarification about Most of Li Po's Poems are the premise and basis of our study. The choosing, annotating and clarifying about Li Po's poems by Zhujian has achieved a breakthrough in the traditional model of exegetical study, and it has made a relatively strong feeling of literary criticism. The investigation of Zhujian and his poetic heritage is an important part of the study. The first chapter, The Investigation and Discussion of Zhujian's Life and Activities, is based on credible literature. In this chapter, Zhujian's life track is cleared off, moreover, the basis of Zhujian's thoughts and emotion in choosing and annotating is also explored through the direction of commenting subject.In the chapter, The Version and Circulation of The Book, the circumstance about the version is mainly introduced. The doubt about the preface of Zhu Shouxing's block printed edition has been also demonstrated particularly.This block printed edition was from Dingbing's eight-thousand-volume building which is now in Nanjing library. The third, the circumstance about the version of Making Good Omissions of The Annotation about Li Po's Poems which was seldom mentioned in today's personal writings is cleared off.The poetic concepts of Zhujian was affected by people in Song Dynasty, and it had Neo-confucianism elements obviously. Zhujian imitated the model of Shi Ji-zhuan by zhuxi to comment and annotate Li Po's poems. He distinguished Li Po's poems by Fu, Bi and Xing. This was the vivid characteristic of zhujian's system in commenting and annotating. In the part about the suite of poems, Gu Feng, and Yuefu, the model feature which was shown as expressing through Liuyi in Zhujian's annotation was discussed extraordinarily. To zhujian's system in commenting and annotating, the research didn't stay on the characters of the exterior form but probed into the feeling of literary criticism in Zhujian's annotation with modern meaning. Especially the judgment of the value of Li Po and his poems had adequately embodied the independence of and depth of theory in Zhujian's criticism ideology.The master copy of this book was Yang-Xiao's annotations, so, in our research, Zhujiah s annotation was consciously surveyed in the ancient annotations system of Li Po's poems, and then purposely investigated and distinguished the original relationgship between Zhujian and Yang-Xiao in two aspects, the stylistic rules and layout of commenting and annotating and the view on poetic criticism. In this system, Xiao Shiyun's annotation and distinguishing the false reflected upon Zhujian more deeply. However, Zhujian kept an rational commenting attitude. There were lesson-drawing and rectifying, approving and opposing. All these reflected the independent commenting consciousness of Zhujian.The part about Clarification about A Part of Li Po's Poems is the importance and difficulty in our research. It was carried out from three aspects, Brief introduction of the problems about the authenticity of Li Po's poems, Effects from Xiao Shiyun's distinguishing the false, and Explanation of the system of Zhujian's clarification. Zhujian's clarification about Li Po's poems had broken through the simplicity in distinguishing the false in a way. It was a systematical poetic commenting activitie. In his clarification, Some theory categories of Chinese Literature Commention such as stylistic mode, atmosphere, flavor and regulations were used.