A Study Of Fairy Tale Criticism In The New Era Of China

The fairy tale is one of the important styles of children's literature in China. At the beginning of last century, fairy tale is synonymous with children's literature, and the study of fairy tale is largely in children's literature study. Fairy tale research still occupies an important position in the children's literature in the new period, fairy tale research still led the children's literature research in the very great degree.Since the LuShan Meeting in1978children's literary creation and research had into a boom. New period is a period of revolution and innovation consciousness. From1978to2000, literary criticism of fairy tale largely showed a particular historical period of transition and the new period stage. From the point of historical development, fairy tale criticism in the new period is more closing to writing and text. Fairy tale criticism in new period provided a kind of preparation and accumulation for criticism to the fairy tale of the new century's development, so researches has more historic significance. Criticism of this period had a large number of texts and was rich in content, but much miscellaneous, numerous and more scattered. On the one hand the criticism had the inherent law of development and value gold grains; On the other hand it was often chaotic, so it needs more research through phenomenon, and reaches to the interior, especially needs the background of the children's literature creation in the new period, and to understand and find criticism on the nature of fairy tale and rules of mining and research.This paper takes Chinese fairy tale criticism of the new period as the research object, mainly based on the text of the fairy tale criticism during this period. From the macroscopic and microscopic aspects, the paper explores the main characteristic of fairy tale criticism during this period through the criticism of text and the historical background.The main body of this paper is divided into four parts:Part ?, Part ?, Part ? and the Additional Part, including the Introduction.Introduction mainly includes discussions on summary of the research status, the significance, thought and method of research.In Part ?,it includes criticism for writer of fairy tales, for fairy tales genre and fairy tale works. These three parts shows as a whole and has the close relation. They cannot separate in activities of criticism. Part I takes fairy tale writer criticism as main study of the object. It includes not only the writers of fairy tales as a whole but also includes criticism of their works to research. Any writer cannot separate from the literary activities, its achievements mainly shows in the literary works. Although the literary writers'style is changing through their creative period, but there must be some consistent and continuous pursuit of art.In Part I it tries to find the main characteristic of these fairy tale writers, changing of works criticism. Finally it gets the rules of criticism in the new period.Part ? focuses on two literary genres:"lively" and "lyric" fairy tale criticism."Lively" and "lyric" fairy tale are two spectacular creation genres in the new period, they have a far-reaching influence in the history of fairy tales in China. But for a long time, nobody has given a clear definition, In this part it studies fairy tale works and the characteristics of two literature genres. As a result the paper thinks that they are two literary fairy tales in the new period. So in this part the paper focuses on study which takes "lively" and "lyric" fairy tale as literary genres. As the representative write of "lively" and "lyric" fairy tale, Zheng YuanJie and Bin Bo's fairy tale are considered from microscopic aspect.Part III is the research of the fairy tale works of criticism. Fairy tale works criticism is the principal compositions of the fairy tale criticism in the new period, because even in fairy tale writer criticism, it may inevitably involves works. The vast majority of criticism has got conclusion from works.Therefore, in part ?,the aim is the fairy tale work which shows evident value and significance. Some of criticism is closely related to the value of the works, such as "the Dog's Small House", the value of its criticism is due to work-criticism of the tool of Education; some of criticism is important because of their new value in criticism, such as the "Secret of the Magic Gourd"; some of criticism shows new trend and change, such as criticism about Andersen classic fairy tales."Exploratory Fairy Tale" was closely watched with exploratory children's literature in the new period literature phenomenon, and the criticism of its work was also a prominent phenomenon of criticism, In this critical debate, critics focused on criticism about acceptance and Juvenile literature. Additional Part mainly discusses the two parts of contents. First part is criticism of fairy tale criticism which includes research on the fifth generation of children's literature critics and criticism of criticism on fairy tales in the new period. This part is conceal behind critical activity, it is a kind of academic history. The other part is about discussion "Discussion of Modern Fairy Tale "which was organized by Selection of The fairy Tale at the mid eighty's.This discusses is a large-scale, concentrated in the new period of children's literature creation. This discussion is also a kind of exchanging of ideas and thought, it was not only gave research about "lively" and "lyric" fairy tale in criticism research, value judgment and writing guide, but also played a leading role in "Exploratory Fairy Tale".