A Study On The Aesthetic Form Of Chinese Oil Painting From A Comparative Perspective

Since one hundred years ago, on the basis of introducing, learning western painting style,mixing with the local culture theme and the aesthetic tradition, Chinese oil painting has made its ownfactors different from the western factors of generating source. The general description of these factors onthe basis of historical generation is one of the main targets of aesthetic morphology inspection. Under theresearch framework of aesthetic morphology, cultural history and the present modal has constituted thebasic background of Chinese oil painting aesthetics research. Aesthetic form of Chinese oil painting isactually the cultural ecological system for a hundred year, under the background of Chinese and westerncultural exchange history, its main research contents includes the following three aspects:The first is the history of Chinese oil painting and rheological descriptions (free introducing andspreading at early time, concept and language unilateralization at medium term and the tendency ofcontemporary diversified values at present age).The second shows the research on the main types of Chinese oil painting aesthetics (includingtraditional realism, imagery and performance, modern ideas).The last is the analysis of Chinese oil painting aesthetics’ cultural identity composition (includinglanguage, image, ideas).The description of its history can be seen as the change of traditional Chinese painting in the past. It is adynamic process and the modal of a vertical description by summarizing the Chinese oil painting’s concept,language developments and its change under the different historical stages and the social cultural forms.During the process of learning, imitation, variation and innovation from the western oil painting, we see theChinese oil painting now has its own independent choice in the aesthetic idea and language level. This partfocuses on the content of the analyzing typical painters and their works, providing the basis to thefollowing concepts and logical historical data. It is the diachronic description of aesthetic form of Chineseoil painting.On the basis of the historical description, the second aspect focuses on the horizontal style analysis, thatis the work performance and the basic concepts of the main Chinese oil painting aesthetics in traditionalrealism, imagery and several main performances, the concept of modern art which has been formed inhistorical choices for a hundred year.The main style of the essay discusses the ideas, language and basic characteristics of the type. And itwill point out its basic elements, language characteristics and the main styles. Then it will go on to comparethe differences with the west source in the basic factors and the general features aspects. The division of thethird type is in accordance with cultural values principle of “great style”. Because of the complexity of thecontemporary Chinese society and culture, the contemporary Chinese oil painting has the complex featuresof various types of aesthetic ideology coexisting together. This is a Chinese oil painting aesthetics overallinduction in the synchronic level overall of modality.The third part is the body composition analysis, it is in the first two aspects of the concept of historicalresearch and typing and language analysis, based on the comparison of Chinese and western culturalbackground, to Chinese oil painting as a special case of the Chinese culture since one hundred andmicrocosm, the Chinese oil painting in the cultural psychological level of performance is analyzed andsummarized. In language, image and the concept of three integrated cases are more likely to see Chinese oilpainting in the contemporary cultural environment of complete modal. The realistic language of themainstream status, influence style potential but deep inside, the concept of modern art and the action of theconcrete and real life subtle expression is miss and the language of the contemporary Chinese oil painting.This is the Chinese oil painting since one hundred under the comparison between Chinese and westernculture consciousness of self consciousness of cultural identity.Through the above-mentioned three aspects of narrative, it can be seen that Chinese oil paintingformed from the west, but also by the Chinese historical tradition and the modern society since the20thcentury the influence of cultural ideas and ideology aesthetic idea and the language form characteristic inthe history of one hundred years since the rheological. The history of Chinese oil painting has been underthe comparison between Chinese and western culture psychology of social beings, is the western art inChinese society and culture situation, diversification and complication of the aesthetic values ofinterpretation.