The Classical Style In Chinese New Literature

Fei Ming's Circle this paper studying is the circle of Fei Ming before he leaving and back his home in Huangmei in 1937,and several writers who have continual communication with Fei Ming in new literature,especially in new poetry in the 1930s.These writers are affected by Fei Ming's literary concept and writing practice deeply,and their writing style is similar to Fei Ming's.They are Shen Qiwu,He Xi and Zhu Yingdan.The communication in Literature between the writers of Fei Ming's Circle began in the mid late 1920s,and ended in the end of 1937 when Fei Ming left Beiing and back his home in Huangmei.In this period of time Fei Ming's literary thinking ability and creativity was the highest in his life.Fei Ming is a special writer in Chinese modern literature.His literary theory and writing style is special existence in Chinese modern literature,and has affected some writers' literary concept and writing practice being contemporary with him or being later than him.Therefore,it is appropriate to say Fei Ming is a writer's writer.Fei Ming is a stylist in novel creation,and his new poetry thinking is also creative,which has touched in the essential problem of new literature writing.The other writers of Fei Ming's Circle have the most direct communication with Fei Ming,and are affected by Fei Ming deeply.Studying the literary concept and writing practice of Fei Ming and his circle also aims at studying Fei Ming's writing style and his unique existence in modern literature,and this question is also related to the constructing project and development path of new literature.Moreover,studying Fei Ming's Circle,we can find that their communication is private,and their thinking of literary problem,especially of new poetry constructing project,is simply stimulated by their enthusiasm of new literature.Therefore,they are not like literary societies,the latter have the purpose of getting resource in literary world through expressing and spreading their theories and propositions.The theories and constructing projects of Fei Ming's Circle in new poetry are expressed centrally in Fei Ming's and Zhu Yingdan's teaching materials prepared for new poetry course,which are published by the scholar later with the name of Xinshi Jianggao.And then their theories and constructing projects in new poetry are presented comparatively systematically and get the attention of Chinese modern literature academic circle.Also,Fei Ming's Circle provides a studying sample of the writers' private literary communication in the 1930s,which provides a chance for scholars in later to approach the historical scene in that period of time,and to study the way that writers communicate with each other in literature privately in the 1930s.The essential character of Fei Ming's Circle's writing and thinking in new literature,is they try to connect and blend Chinese traditional literature and modern literature.When Fei Ming was looking back the essential character of Chinese traditional literature,he abstracted a tradition of free prose writing.And when he found this prose writing tradition,he began to leave the literary style rules formed in the effect of western modern literature and to approach this tradition.Then his writing was released from literary style rules,and this character attracted the other writers of Fei Ming's Circle.Since Fei Ming's Circle formed,the members especially Fei Ming and Zhu Yingdan centrally explored and wrote new poetry,the most special and representative type of new literature,and expressed their opinion that the content of poetry is essential for building new poetry.Meanwhile,they also reflected on other contemporary writers'constructing projects in new poetry,especially Crescent Moon's project of trying new verse in new poetry.The above is the content of the first and second chapters in my paper,concentrating on the demonstration of Fei Ming's Circle's theories and constructing projects in new literature.The third chapter would focus on the appreciation of Fei Ming's Circle's composition.In this chapter we can see that the writers of Fei Ming's Circle tried to connect and blend Chinese traditional literature and modern literature,learned from Zen Aesthetics,rediscovered and used the images and literary quotations in Chinese traditional poetry creatively.These constitute the special style of the images and artistic conception in their writing.The forth chapter would analyse the connection between Fei Ming's Circle's philosophy of life and the themes of their literary composition.The fifth chapter would focus on the literary world in the occupied area of Beijing,to study the spreading of Fei Ming's new poetry theories in Beijing in that period of time.After the Anti-Japanese War happening,Fei Ming left and back his home in Huangmei,while Shen Qiwu and Zhu Yingdan were still staying in Beijing.Because of the relationship with Zhou Zuoren,they got the comparative better literary resource in the occupied area of Beijing.Therefore,around the art college of Pseudo Peking University there was a circle of writers,and the writers in this circle tried to introduce and spread Fei Ming's Circle's new poetry theories and had some effect on the literary world in the occupied area of Beijing.They can be treated as the remaining influence of Fei Ming's Circle in the 1940s.