Research On Lacquerware Painting In The Han Dynasty

Lacquer art refers to the art of paint.Chinese lacquer art is an ancient art.In its long history,the Han Dynasty is the first prosperous period,which created the first glory of Chinese lacquer arts in both its quantity,quality,technology and style.As far as images are concerned,the lacquerwares in Han Dynasty lacquer arts leave a valuable image heritage for future generations,since the Chinese social and art history are mirrored in these "Han Dynasty images" and "the Han Dynasty in images".From the perspective of image knowledge archaeology,this thesis,based on the research of the images of Han Dynasty lacquerwares,guided by the methodology of history,iconology,archaeology and aesthetics and with the precondition of absorbing the research results of previous generations,studies the overall situation of Han Dynasty lacquerware painting systematically.By presenting the "painting history" of the its images objectively,the thesis aims to pass on the culture of Han Dynasty lacquer arts and the spirit of then lacquerware painters,and provide historical support for the development of contemporary lacquer arts.This dissertation studies the background,expression space and overall development of Han Dynasty lacquer painting art,analyzes and summarizes their presentation on various instruments.It focuses on its basic materials and its refined,lacquer tread type and characteristics,the classification of decorative materials to carry out the narrative,and pays attention to the analysis of the composition of its painting materials.The visual design and painting technique are described in four aspects,such as the image and abstract image system,the graphic expression of lacquer painting,the aesthetic features and embodiments of art,and the artistic style characteristics that are different from those of other times,and finally,it mainly describes the important influence of Han Dynasty lacquer painting on the development of lacquer art in later generations.Through this research,the author thinks that the Han Dynasty lacquerware"painting" truly presents the social image of the Han Dynasty in China,which reflects its people's life,belief and social history.In the craftsmanship,Han Dynasty lacquerware painting,on the basis of previous generation,created some innovational crafts such as cone painting,embedded gold,gold and silver decals and others.In its aspect of visual communication,Han Dynasty lacquerware painting,with its neat composition,free lines,full color,splendid decoration and romantic,majestic,vigorous and uplifting styles,shows the full development of lacquerware painting and its positive aesthetic pursuits.About the expression of its meaning,the Han Dynasty lacquerware painting presents the daily aesthetic pursuit of the Han Dynasty people with great attention paying to the description of their faith,life and death and the spiritual picture of future life,reflecting the beauty of fusion between its art and people's life.In short,compared with the ferocious style and ceremonial musical instruments of pre-Qin period,the Han Dynasty lacquerware painting arts pursue the beauty of freedom and life instruments more,and attaches great importance to the expression of life and belief of"painting" and conveying not only the Han Dynasty's full,romantic and life pursuits,but also its artistic ideals and life pursuits.