The Spread And Acceptance Of Tang And Song Ci In Shun Kang Yong Qian Period Of The Qing Dynasty

The literature of any era will more or less make the mark of the previous generation of literature.The Qing Dynasty is the era of the revival of Ci,but it is undeniable that the resurgence of Qing Ci can not be separated from the Qing people's learning and acceptance of Tang and Song Ci.This article uses a combination of quantitative analysis and qualitative analysis to analyze the spread and acceptance of Tang and Song Ci in Shunzhi Kangxi Yongzhen Qianlong of Qing Dynasty from three aspects:anthology,Ci theory and writing.As far as the anthology is concerned,this article mainly conducts related research from the recording,publication,copy,proofreading,evaluation,interpretation of anthologies of Tang and Song Ci in Shunzhi Kangxi Yongzhen Qianlong of Qing Dynasty.Statistics show that Qin Guan,Chen Yunping,Xin Qiji,Su Shi,Zhao Yifu,Zhou Mi,Zhou Bangyan,Wu Wenying,Ouyang Xiu,Huang Tingjian,etc.have more recordings in the bibliography of Shunzhi Kangxi Yongzhen Qianlong of Qing Dynasty.as far as anthologies are concerned,Anthology of Hua'an,Mei Yuan,Wonderful Ci and Yuefu Elegant Ci have more recordings.In Shunzhi Kangxi Yongzhen Qianlong of Qing Dynasty,JiangKui and Zhang Yan's poetries were printed frequently most,Wonderful Ci and Yue Fu Bu Ti were printed frequently most.The scholars' proofreading,evaluation,interpretation of anthologies of Tang and Song Ci can promote the spread and acceptance of Tang and Song Ci in the Qing Dynasty to a certain extent.The spread of anthologies of Tang and Song Ci also affected the style of Ci in Shunzhi Kangxi Yongzhen Qianlong of Qing Dynasty to some extent.Among them,Hua Jian Ji and the retro style of the poetry in the late Ming Dynasty and early Qing Dynasty,Yue Fu Bu Ti and the prosperity of the Yongwu Ci,Wonderful Ci and the prosperity of the Zhejiang School in the middle period are inseparable.The newly selected Tang and Song Ci anthology in Shunzhi Kangxi Yongzhen Qianlong of Qing dynasty has about 23 pieces currently visible,showing the characteristics of a large number,large scale,complete style,and selective selection,which has laid a good literature foundation for the spread and acceptance of Tang and Song Ci.From the statistical data,the selection rate of elegant poets and their works in the Southern Song Dynasty is generally high,ranking high,and the works of Jiang Kui and Zhang Yan are particularly popular.Some of the newly-selected Tang and Song Ci anthology of this period had a great influence on the Qing Dynasty Ci,such as the Ancient and Modern Ci anthology JianShanTing,CiZong,Ci Jie,The Ci Anthology of Every Time Selected By KangXi Emperor and Qingxue Eleglant Ci are all representatives.The Qing Dynasty Ci theory is also an important aspect to study the spread and acceptance of Tang and Song Ci in Shunzhi Kangxi Yongzhen Qianlong of Qing Dynasty.On the one hand,Ci theory is an important way to spread Tang and Song Ci.The number of Tang and Song Ci preserved and disseminated in Shunzhi Kangxi Yongzhen Qianlong of Qing Dynasty is considerable.It is mainly presented in such ways as criticism,appreciation,interpretation,discrimination,and storytelling.It has unique features such as few number,fragmentation,fun and deepening;On the other hand,the Qing people learned the writing techniques of the Tang and Song poets by studying specific Tang and Song Ci works,and summarized many effective creative experiences.It has made achievements in various aspects such as the proposition of Ci,the layout of the essay,the creation of sentences,and so on.Ci are about veiled,rational use of allusions,and blending of situations.For Long Ci,Middle Ci,and Small Ci,they can also adopt different writing skills according to their own characteristics.As for the Yongwu Ci,it is advocated that the things described in Ci should be similar with real things about essence,and we should express emotion in Yongwu Ci.Most Qing people agree that the Song Dynasty was the peak period of Ci.The Qing people believed that Ci had different characteristics from poems and dramas.They Advocated that Ci must express emotion in a sophisticated way,especially against that Ci become Vulgar.However,the Qing people also recognized the similarities between Ci and other type of literatures in describing temperament and showing scenery.This view of Ci style also reveals that what kind of Tang and Song Ci recognized and learned by the Qing people.In constructing the history of the Ci,the Qing people almost ignored the uninhibited poets,and the representative poets of each period listed by the Qing people were mostly elegant poets in the Southern Song Dynasty.Judging from the controversy about the Tang and Song Ci in Shunzhi Kangxi Yongzhen Qianlong of Qing Dynasty,generally speaking,scholars in the early Qing advocated learning the style of Northern Song and Five Dynasties and Ten Kingdoms.after the middle period of Kangxi,the recognition of the Southern Song Ci gradually increased.The argument about what kind of Ci is authentic and natural have basically continued the traditional views,but there are also many people who emphasized that boldness is also the true character of Ci,and some people believed that authentic and non-authentic Ci have their own advantages and disadvantages.This reflects the Qing people's more profound view of acceptance.The dispute between elegance and vulgarity is basically one-sided,and the power of pursuing eleglance is far greater than kitsch.In terms of the creation of Ci,Qing people also accepted Tang and Song Ci.From the actual situation,the acceptance of Tang and Song Ci did indeed affect the writing of Qing Ci to a certain extent:From the end of the Ming Dynasty to the beginning of Shunzhi,Qing people mostly studied the style of Southern Tang,Huajian,and Northern Song Dynasty,and the Qing Ci mostly shows the tendency to be small and erotic at that time.From the middle period of Shunzhi to the middle period of Kangxi,the acceptance orientation of the Qing people showed obvious diversified characteristics,the themes and styles of Qing Ci were diverse,and the achievements were quite high.From the late period of Kangxi to the late period of Qianlong,it was the period of JiangKui and ZhangYan.The Qing Ci pursued more gorgeous shell and lacked deep and wide ideological content,and its overall achievement was not as good as that of the early Qing Dynasty.The Qing people's acceptance of the Tang and Song Ci in their creation is multifaceted,and even many places are invisible and not sure.Therefore,this article takes Responsory Ci,the more obvious and special way of acceptance as an example to illustrate the acceptance of the Tang and Song Ci by the Qing people in their creation.Responsory Ci in the early and middle Qing Dynasty include different forms such as Heyun,sentence collection,imitation and rewriting.They prefers Long Ci and the famous writers of Tang and Song dynasties,especially the poets in the Southern Song dynasty.The prosperity of Responsory Ci in Shunzhi Kangxi Yongzhen Qianlong of of the Qing Dynasty was closely related to the social and cultural background at that time,the storage of Ci literature,and the opportunities and mentality of the poets to create Responsory Ci.The creation of Responsory Ci established the status of Li Qingzhao,Jiang Kui,Zhang Yan and others in the history of Ci,accelerated the process of classical Tang and Song Ci,and promoted the resurgence and prosperity of Qing Ci to some extent.