Literati Complex And Art Research In Late Ming Dynasty

The study of art in the late Ming Dynasty focuses on the level of category history and case study.Based on the general art theory,this paper introduces the social context of anti-tradition and graphic change since modern times,takes the literatiization of late Ming art as the background of argument,uses the concept of literati complex to intervene in the theme,and takes the opposition and integration of romantic and classical thoughts as the ideological cornerstone of late Ming art research.From the perspective of literati complex,this paper analyzes the art categories of late Ming painting,calligraphy,drama,novels and gardens.The article is divided into five chapters.The first chapter mainly introduces the ideological trend of literature and art in the late Ming Dynasty from the academic perspective since modern times,and points out three misunderstandings in the study of art in the late Ming Dynasty.From the overexplanation of capitalist ’ bud theory ’ and economic fundamental determinism,this paper discusses the disadvantages of romantic monism in the study of art in the late Ming Dynasty,and discusses the topic of ’ modernity ’ of art in the late Ming Dynasty.The second chapter mainly introduces the concept and characteristics of the literati complex,and puts the literati complex under the perspective of classical and romantic trends of thought,respectively,and establishes the principle of integration and complementarity of classical and romantic trends of thought.It emphasizes that we should not only see the potential influence of romantic spirit and spiritual culture on the art of the late Ming Dynasty and its individual cases,but also face up to the complex of soothing the world and calming the mind revealed by the literati in the late Ming Dynasty in artistic activities.The third chapter examines the “ duality ” of art and literati complex in the late Ming Dynasty from the perspective of political metaphor.Political metaphor is a special manifestation of literati complex in late Ming art.It can be a virtual bridge in drama novels,also can be the garden,calligraphy and painting works in the lu chamber,yanxia,solitary boat and Zen nab art situation.Art is not only the spiritual ’ refuge ’ of the literati in the late Ming Dynasty,but also plays the role of political ’ shame cloth ’.It is a tool for the literati in the late Ming Dynasty to place political ideals,indirectly realize political expression and criticism,and form an interactive relationship between the monks and the court.The fourth chapter focuses on examining the late Ming art and literati complex from the perspective of artistic function and artist mentality,and deepens the understanding of the connotation of literati complex by analyzing its ’duality ’.From the point of view of artistic function,in the academic field of view since modern times,the lyrical entertainment function of late Ming art is greatly colorful and the enlightenment function is relatively lonely;from the artist ’ s point of view,the late Ming literati showed wandering between politics and art ’ s ’ two harvests ’.Although they are not lack of decadent image,but the wing corridor temple,wear scarves of classical cultural mentality is still an important cultural fulcrum of its spiritual structure.The fifth chapter mainly from the artistic subjectivity,artistic style,artistic theme and other aspects of the literati complex in the late Ming art influence,and further recognize the late Ming art ’ Political and elegant ’ era characteristics.