Study Of The Variable For The Middle&Late Ming Literati Painting Style Influenceink

The Song Dynasty painting differs from the work on, the suitable Yi, in late MingDynasty paintings either subject or writing style is offbeat, artistic language is morecomplicated. The turbulent environment, because the ruling class as flawless, in thisperiod, painting a break from the traditional social utilitarian principles can bearbitrary, arrogant way, and presents the distinguish themselves he era of literarycreation. Thus, in the late Ming literati painting after painting out of reality, theaesthetic value of the form at the same time, also contributed to the independent textvalue system. The late Ming literati painting style present heresy appearance is in thisperiod, scholars self consciousness and artistic noumenon consciousness awakening ofthe double. The awakening of self-consciousness of the self" makes people pay moreattention to the I." and" he." difference, thus further refining cast a more distinctiveself; and art noumenon consciousness awakening the literati painters began to take theinitiative to seek beyond utilitarian needs painting spirit construction. Like to observethe heart by attention, drawing in self components into more obvious, this bold,etiquette, meaning a state can flood of life is the soul and essence of painting. Thetraditional literati paintings is the spirit of self renewal of showing art bring forth thenew through the old feelings. In the past, this self spirit showed an implicit form,introverted, after the middle period of Ming Dynasty, painters pay more attention tothe spirit of self and inner feelings show. Self consciousness and artistic noumenonconsciousness to pen and ink language tag store self, pen style his grotesque evolutiondirection, and then this period literati painting art ideas and artistic expression togenerate the corresponding restriction and infiltration.