| The Yangtze River Fu is an independent composition on the theme of the Yangtze River,with Guo Pu’s Jiang Fu as its type.The writing of the Yangtze River appeared far before the Eastern Jin Dynasty.The Yangtze River in Chinese literature originally appeared as an image in the Book of Songs and Qu Fu.Song Yu’s Gaotang Fu,Han Fu,The Three Kingdoms Fu and the Western Jin Fu developed the image and theme of the Yangtze River.The significant feature of the distribution of the Yangtze River Fu dynasties is that it flourished in the Qing Dynasty,because of the overall prosperity of Qing Fu creation,the expansion of Qing Fu theme and regional prominence,and the imitation habit of Qing Fu.The geographical distribution of the Fu writers in the Yangtze River is wide,but extremely unbalanced.Jiangnan is the main body of the geographical distribution of the Fu writers,and the Yangtze River city is the core of the geographical distribution of the Fu writers,with prominent regional distribution.The motivation of the creation of the Yangtze River has a unique moving track,that is,from south and north to east and west.The picture of the Yangtze River in the Yangtze River Fu mainly includes five aspects: river water,river mountains,river objects,river buildings and river affairs.The river water can be viewed from four aspects: name,source and current,color,shape and sound,and river tide.The scenic scenery of mountains and rivers on the Yangtze River is an important part of the landscape of Yangtze River.River objects focus on three aspects: animals,boats and pictures of rivers and mountains.River Tower is the finishing touch of the river city,the most notable is the Yellow Crane Tower and Quarry Rock Taibai Tower.River affairs include myths and legends,historical events and anecdotes of literati.The Fu writers’ s aesthetic observation shows the Angle characteristics of humanization and poetry,deeply grasps the time characteristics of the Yangtze River’s permanence and perishable,and shows two aesthetic feelings of grandeur and elegance.The types of knowledge of the Yangtze River in the Yangtze River Fu are concentrated in the History Department,and the official history,Notes on the Water Classics,maps and geographies are quite significant.Fu writers’ s attitude towards the knowledge of the Yangtze River is to attach importance to the source,respect the classics and attach importance to history.The influence of Yangtze River knowledge on Yangtze River Fu is reflected in that the development of Yangtze River knowledge promotes the generation of Yangtze River Fu,which is a process of knowledge textualization and text intellectualization,as well as the removal of Minshan Mountain and the merging of Jinsha River,the concretization of thousands of miles,and the change of the number of states and provinces.The typical writers of Yangtze River Fu are Guo Pu and Su Shi.Guo Pu’s Jiang Fu highly shapes the origin of the creation of Yangtze River Fu with the value of exemplary Fu and classic texts.Its positive status is embodied in four aspects: the evaluation of the theory of Fu,the demarcation in the classification of anthology/Fu,the identification of Fu and the anchoring of the work.Qian Zhongshu’s theory that " Jiang Fu is not real" has some inaccuracies.Jiang Fu has some inaccuracies,but it is not completely unreal.The reason for the inaccuracies may be limited to the current situation of the knowledge of river and sea biology at that time,or to fully praise the Yangtze River,some sea areas and sea faults are included into the category of the river region and the river tribe.The images of the Yangtze River in Su Shi’s Yangtze River Fu are closely related to the practice of the Yangtze River.The image of the Yangtze River and the practice of the Yangtze River play a healing role in Su Shi’s composition because the Yangtze River connects the objects of himself,his hometown and his hometown,the present and the past,providing Su Shi with energy at the three levels of personality,space and time.Su Shi’s Yangtze River Fu,especially the Red Cliff Fu,shine through the history of Fu,illuminating the path of subsequent generations of Fu writers on the Yangtze River.Besides the Yangtze River Fu,Su Shi’s poems on the Yangtze River and the whereabouts related to the Yangtze River were also included in the works of Fu.As far as the tradition of Yangtze River Fu creation is concerned,Su Shi can be regarded as the best of the Yangtze River Fu creation.The Yangtze River Fu of Ming and Qing Dynasties appeared a cycle of abundant quantity and lack of classics because of simulation,and its simulation has value in the aspects of Fu education and classics dissemination.Through the construction of multi-dimensional space and personalized writing,the Fu writers of Ming and Qing Dynasties realized the transcendence of the accumulated disadvantages of simulation. |