Design Composition In Modern Landscape Design

Since the 20th century, with the influence of modern art upon the western architecture and landscape architecture, new means of picture composition and designing language have emerged totally different from the traditional ones. The traditional reborn of the visual symbolic language is usually a sign or a form, whose connotation often lost its meaning with the time going. However, any symbolic language in change is of nationality and of region, which may be an end to the traditional symbolic language in the future.The thesis employed the combination of painting, architecture and landscape architecture and through the analysis of the displaying modality of modern art and the examples of the modern landscape architecture, it confirms the important promoting function of the planar and symbolic language in the use of landscape architecture and logic development, based on large sums of investigation and material reference. It also tries to trace the reason of the direct change of the western designing language through the display of the planar, symbolic language in picture composition. The thesis illustrates the direct influence of the language, the form and the symbol in the modern art upon the western landscape architecture and focuses on the difference between the western classic and modern design in the means of the picture composition .The thesis reveals the source of the modern landscape architecture which is different from the classic one. The change is no other than the reasonable application of the symbolic language with the base of the planar and symbolic language in art design. The purpose of the thesis is to provide the scientific methods of the application of the national symbolic language in landscape architecture.