Time In The Form Of Fang Fang 's Novels

Fang Fang boarded the literary world since the beginning of the eighties, he has been concerned with the feelings of humanism survival situation profane character. Creative style of early emotional style experience transformed into rational thinking, self-awareness by the performance of personal experience turning ordinary people to survive contemplation. Inspiration for a wide square, time in the form of text is also complex, switch themes according to need each other, but also with psychological time interludes, leading to mutations accumulate overlap, forming a maze-like world of art. With the help of a variety of time theory, to discuss the square form of the novel use of the time, and the time symbiosis of form and subject matter, support from structural poetics way.Text discusses the time in the form of square novels from three aspects:Chapter One:motherhood myth narrative time. Ancient matriarchal society of human memory, retained in the narrative style of the oldest myth, the myth is that time in the form of temporal form of motherhood, showing no beginning and no end, Hunhundundun and repeated state. The oldest square in this time in the form of his own novel basic narrative time, supporting all life story narrative, and this time to accommodate the integration of a variety of other forms, constantly switching overlap with adhesions to form their own unique narrative.Chapter Two:Fracture of historical time. Has since written history is the history of man, the time in the form of history has become an important marker men make history. In this great historical evolution, the accumulation of numerous small individual life history, and all life can not escape the big historical movement, breaking a big history and history is often little time for the black hole, square apparently this has high degree of self-consciousness, always tells the story of his own life in an instant found broken, but with particular emphasis on two historical significance suffered the same time break, the square will be large overlap of history and a little history, intertextuality alternative strategies.Chapter Three:isolated mind stagnate time. Fang Fang underlying narrative when people desperate to survive, often show divide between people’s minds, and this is the time in the form stagnate as the main narrative way. At the same time this approach with a form of myth ironic artistic alternative features modern times to accommodate the impact of the flood was to the underlying fractional people desperate living situation, showing the deserted ruins of the mind, it also has a history of time breaking moments ethical alternative to the ruins of the art features, narrative point of view but also the endoscope, the perspective of the maze-like fortress-time closed cage.