Localization Of Idol Drama

Unlike the Chinese historical drama, family ethics, which are the Chinese localization of TV drama type, but the last century, Japan and South Korea 90 years, youth idol is from the introduction of a drama type. Over the years, has been the dominance of South Korean dramas, to seize the Chinese TV market.Youth idol in China ten years of development experience, there are ups and downs, there is a harvest and failure. Uneven level of youth idol in China, both the localization of color highlight, well, unique artistic quality, but also through the campaign trail blindly imitate a photographic work which has been successful idol. Whole the development of China's immature youth idol, but an exploratory stage. The significance of theory to guide practice, this paper aims to review history at the same time, face reality, some prospects, evidence that the Chinese localization of the Shining Path idol of youth.Three chapters on the structure of this thesis from different angles, and layers of progressive analysis of the development of Chinese youth idol.The first chapter, the first idol drama redefined the meaning and extension of the current youth idol clearance meaning is unclear, vague extension of the status quo. Definition of the concept here is the starting point of this thesis. Then, from a historical point of view, China's youth, drama development of the road to do a simple sort.The second chapter, from a realistic point of view, the popular Korean drama in China, set off another wave of Korean wave boom. The other hand, Mainland China lags behind the development of young idol is, and the direction of development is not clear, simple blind Korean plagiarism. The development of youth idol in China should be the way out, and can only be localized innovation.Chapter III of the Chinese youth idol-depth analysis of localization strategies. First, the localization of the Chinese mainland youth idol good to do text analysis, to show the success of these works. Second, analysis of the differences in the Han youth idol, and from cultural tradition, reality and psychological point of view of the audience the reasons for differences exist. Finally, the localization of Chinese drama in creative strategies to make some specific comments.It is worth mentioning that, the paper idol objective to address the shortage of Chinese youth, also need to continue to learn Korean. But China and South Korea during the time idol contrast, there is no simple for the Korean is also not done to determine the level of which one is better. The author believes that the art of drama between the two countries are characterized by their national cultural traditions, reality, and many other environmental and psychological effects of the audience, the development of drama between the two countries should respect the reality.