Seeker Of The Footprints - Of Chinese Contemporary Figurative Painting

The first chapter is an introduction section. The background of the main topics of the paper, theoretical and practical significance, research status and research method and structure of a simple introduction.The second chapter is for the new figurative painting in the initiation and development of theory. China's new figurative painting and development of related concepts is briefly described, and on this basis, proposed that the contemporary new figurative painting concept and basic characteristics, and Chinese contemporary new figurative painting the formation and development of related theories to sort out, Finally the new figurative painting contemporary role and impact. The purpose of this chapter leads to the new figurative painting contemporary theme of this study, the later chapters of the new figurative painting contemporary development and evolution mechanism of the formation of a solid theoretical foundation to prepare, to build a framework of rigorous logical analysis of norms.The third chapter analyzes the "new figurative" painting the international context. This chapter focuses on Western art development perspective to contemporary new figurative painting a systematic comprehensive analysis, summarized that in the Western historical and cultural environment of contemporary new figurative painting of the main characteristics and development context, the history and reality in the Evolution of grasp of contemporary New the general rules of figurative painting, for further research to provide contemporary new figurative painting heavy historical material.The fourth chapter is sort of Chinese contemporary context of the development of new figurative paintings. Previous paper, the contemporary new figurative painting developed in the historical context to sort out on the basis of this chapter, the first Chinese contemporary new figurative painting are analyzed, presented the new century figurative painting, new figurative painting in the artistic spirit and essence, the new concrete Contemporary Chinese Painting "Silence" and on the new figurative four main issues, the last of China's new figurative painting with the development trend of the new figurative painting to the problem.Chapter Five is the conclusion. The main conclusions of the paper and inspiration, innovation and deficiencies are analyzed and discussed.The main point is as follows:First, the performance of the so-called figurative painting, by definition, includes concrete and performance; but neither figurative nor performance. As we all know, "Figurative Expressionism" is generally considered by the French art critic Claire (JeanClair) first described. The term is used to summarize the first serious observation that the real subtle things, focus on visual performance and precise real spirit of the artist's works possess characteristics. The performance of a theory is like an open theoretical system, which advocates a way of viewing: the original experience and theoretical suspension, and sentencing is invalid, with the phenomenological way of thinking to explore, hoping to achieve beyond the original art , trying a new way to observe the world and feel the spiritual force. Figurative painting is actually the performance of the visual art of painting as a true knowledge activities in the value of contemporary society faces the collapse of the crisis, the "pursuit of truth," the full introduction of the ultimate concern of painting, in order to achieve the artist's life meaning.Second, the new figurative painting in real terms, only the amplification of traditional painting and inheritance, but also the concept of traditional painting and experience the subversion, the new figurative painting in the artists who tried to use a new visual language model to contemplation and performance "foreign objects." Can be said that the new figurative painting in the contemporary context, in order to inherit the traditional premise of figurative painting with a subversive sense to do innovative work is representational rather have a new symbol of contemporary realism.Third, the Chinese Contemporary figurative painting of the study should include the following four aspects: the new figurative painting in the artistic spirit and essence; new figurative painting in the Chinese Contemporary "Silence" because exploration; analysis of contemporary China's new figurative painting studies theoretical interpretation of the reasons for the shortcomings; of new figurative painting what will go where.Fourth, select the realistic art of language, not a return to classical, but convey different from the traditional figurative art a new meaning. Given these factors, we should see that figurative art is not only the existence of a genre, but also a meaningful artistic phenomenon.The inadequacies of the paper, because of data limitations and the author's own research capacity constraints, there must be this or that problem. There are two major shortcomings: first, due to data limitations, this paper on the "new figurative painting in China" and "foreign figurative art," a comparative study, but failed to figurative art of the Cultural Meaning, stylistics and morphological significance of such issues in depth. Second, the failure to put forward in contemporary social thought, culture, emotions, living conditions, and values under the influence of factors such as performance art with the analysis.