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Bashu Huguang Assembly Hall's Carving And Traditional Woodcut Comparison Of Formal Language

Posted on:2012-11-03Degree:MasterType:Thesis
Country:ChinaCandidate:Y WangFull Text:PDF
GTID:2155330335456252Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
Bashu Huguang Assembly Hall complex in the wood carving, stone carving, brick carving, is a special historical background to the product of culture and civil society. The same knife, chisel hard tool engraving the text and layout designs on traditional woodblock prints, but also was a record of social life and a microcosm of the people. A traditional carving the forms of art language is the largest Chinese traditional culture is national in the spirit of art and thought, one of the representatives of the idea.Their esthetic orientation, composition form, style and language of contemporary art of wood engraving has some spiritual guidance and creative inspiration, contemporary wood engraving arts have been distinctive ethnic characteristics, important to the healthy development of the soil.
Keywords/Search Tags:Bashu, Hall carving, Traditional wood engraving, Contemporary Prints, Formal language
PDF Full Text Request
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