Zhou Zuo-ren's Reference And Criticism On The Comical Literature

In the comical ideological trend of modern new literature, the magazine yusi and luyun were key positions, as the actual editor of yusi and the soul of lunyu, Zhou zuo-ren played an irreplaceable role in them. The popular of comical trend was for that comical literature, whether literary form or ideology, were resistance to a fixed order, which adapt to the modern sharply changed world. Because the traditional culture order collapsed, and the alien culture for modern people deeply influenced, Modern China could provide for people only was a broken and troublous world. Scholars in it, only utter an appropriate express way between history and aesthetic form, The uniqueness of comical literature just adapted to the demand. Zhou zuo-ren as an important representative, whose criticize and reference to the comical resource reflected the chances of new literature, and the trance of a scholars how to chose personal position and art way.In the many models, such old and new, native and alien, Zhou zuo-ren wanted to gain certain freedom trough rejecting to every still position and every still appreciation of the beauty. The before three chapter will choose the debate event about comical, and the keywords respectively is popular funny, folk funny and traditional literati funny, for briefly show the pursuit of Zhou zuo-ren's realistic stance and aesthetic standard process.In the late Qing dynasty, when Zhou zuo-ren studied in Japan, he exalted the western countries and belittled the Chinese comical tradition, Western (contain Japan) started to be the powerful frame. Wait to the stand of the new literary, Zhou gave up western anthropocentrism, began to acknowledge and in-depth study the existence of local funny. In the shift, Zhou reflected acknowledge and refused to jingbao magazine which inherited the later Qing popular comical, which involved the chances of resources between new astronomers and popular writer accepted, also involved for the discourse power for new writers. After the 1920s, new literary field appeared sharply differentiation, different classes of new astronomers struggled constantly. Zhou zuo-ren paid close attention to folk comical and traditional new Paiwen, precisely for the purpose of seeking discourse resources. In real political levels, he gained appropriate identity from the edge position of folk and middle position of new Paiwen; In art pursue levels, he gained creation reference from the use of scholars to the folk comic and the display of comic regulation of new Paiwen.In the two aspects of real political and artistic pursuit, Zhou's life are closely linked with comical literature, this just for Zhou's world outlook and his understanding of comic meaning were almost consistent. The last chapter of this paper will argue the relations between his world outlook and comic meaning, hold that keeping the distance with the world was the same core of them, and discuss the world view performance in art creation.