The Research Of Shenjing's Nan Qu Quan Pu

Shen Jing's Nan Qu Quan Pu is the first mature and strikingly Nanqu Ge Lv Pu in Ming Dynasty. It has the equivalent position in the history with Tai He Zheng Yin Pu. The so-called "spectrum" before Shen's spectrum did not reach the standard of Ge Lv Pu .The first chapter takes the further falsification to Tang Pu and Yuan Pu from the perspective of the spectral type and the history of Nanqu Gong Diao.and preen the appearance and the evolution of the Ge Lv Pu of Nanqu which make the mode of the Ge Lv Pu become clearer, so that the Shen spectrum's position can be relocated in the history Nanqu Spectrum. Nanqu didn't have Gong and Diao, the Chen's Jiu Gong and Bai's Shi San Diao was the systematically imitation of Beiqu and Ci in Gong Diao System. Jiang Xiao took the Jiu Gong system and find a example for each tune which upgraded Chen's Jiu Gong into Wen Zi Pu, and made Shi San Diao Spectrum to be the appendix. Shen Jing updated and modified Jiang Xiao's old spectrum in his Nan Qu Quan Pu and updated the tune of examples,punctuations and the four tones which upgraded Jiang Xiao's Wen Zi Pu into an mature Ge Lv Pu.Chaptersâ…¡and III are the systematically researcher of Shen Jing's Nan Qu Quan Pu . They include the Gong Diao tune's system,tune of examples,markup's style of spectrum's form,the introduction of the conception of YOU YI TI and so on. The system of Shen Jing's Gong Diao system was from Jiu Gong, but he took the attached way of deploying for the corresponding Gong Diao tune in the Shi San Diao Spectrum. This way was misunderstood by the later generations as the absurd Jiu Gong Shi San Diao. Shen Jing used the conception of spectrum in DI MOU TI as the reference and introduced the YOU YI TI to arrange the one in Nan meter which had the same tune but different body.The fourth chapter is evolution of Shen Jing's Nan Qu Quan Pu and put it on the historical background of Nan and Bei Pu's ups and downs. NanquGe Lv Pu's appearance was absorbed by the system and formation of the Bei Qu and it was the backwash of Kun Shan QIANG. Shen jing as the classical drama ge lu pu rules' maker has a very deep attainments in ge lu and yin yun, but in drama music, particularly between music and language relations, actually not comprehensive understanding."The struggle of Tang the Shen"the essence is the music literature intrinsic inherent contradictory response, is under the double standards discussion.