The Color Aesthetic Choice Landscape Painting Create

"Color" was originally just the terminology used in Western painting, and for Chinese painting, it has always been just that color, applied color, apply color, coloring, color, colors, Colors, etc., do not take color, color word together with, and Chinese painting is often only refers to the color of a color per se, did not focus on the changes between color and color, or stress changes in different environmental circumstances. Color is through the eyes, brain, and our life experience of light produced by a visual effect. The feeling of people not just by the color of light determined by the physical properties, such as the human perception of color is often affected by the surrounding colors. Sometimes people will also produce different substances directly to the physical characteristics of the color is called color.The original color of the human instinct of self-being, there is a significant change and novelty of the basic characteristics of life activities. In particular, he is never satisfied with the performance of man of color a single long, hoping to find new color inspiration. This feature is the formation of the human instinct to keep the color from the original essence of the modern transformation of the internal activities of the color. Which reflects the original color of the same color of spontaneous human life; ancient common national colors to show the color preference; modern colors to show the unique color of individual artists; and contemporary colors are showing the aesthetic character of contemporary color has on human development all share the essence of color.This chapter describes the first chapter painting the main character and Western modern and contemporary art color selection to appear. Analysis method with an example close to the modern painter and Impressionist painters were doing and through practice, and confirmed that fusion of Chinese and Western painting is the traditional Chinese painters of this period the flexible use of color, and Impressionism was taken with anti-traditional and fun and emotional colors choice. Western contemporary blend of color is in, we should learn something from each side's advantage, to find the possibility of color break.Chapter II of this chapter describes the main system of early Western painting color aesthetic identity. China, which along with the unique abstract paintings and rough and wild early Western painting as an example to the original argument. And use of Dunhuang and Yongle Palace murals and frescoes of early West as control to illustrate the use of different materials, colors.Chapter This chapter describes the traditional Chinese method is to follow the landscape and color, "with the category of Color" principle, to achieve a reduction from the green landscape to light the evolution of landscape. And made some small attempt to understand the landscape practice, the use of their techniques, and briefly describes the evolution of the Renaissance and the color of the initial use of transparent paint. Chapter IV of this chapter describes "Qing Xiu Bi Ye," a number of creative thinking and color contrast and color and color can convey information. "Bi Ye Xiu Qing," the color of the source is in exploring the aesthetic principles of traditional Chinese colors at the same time, with Western painting color idea, through constant practice, summed up the creative ideas. Only a reasonable use of the symbolic colors and possess its own personality, to make the color right out of the visual language to pass important information.