From "Drawing Color Adhere To The Type" To "Drawing Color Adhere To The Inclinations"

It has been thousands of years since Xie he put forward the idea "drawing color adhere to the type" in his work in the dynasty of Wei Jin. This idea produced a profound influence on the color system of the Chinese painting. It is a pigmentation rule with Chinese character and becomes an important thought and principle in Chinese painting of pigmentation. However, any abundant culture proposition can't be maturity forever. Time past and the situation have changed. Nowadays, the culture meaning of drawing color adhere to the type" can't bear and explain the idea of all, include the Chinese heavy colored painting. Particularly, since 90's in last century, modern heavy colored painting has set out an opening cultural idea. It has broken the thinking on painting language;it has created a flexible principle in painting method. New ideas, new medium get involved to make the heavy colored painting creations gradually diversified and colorful and free, it has beyond the traditional idea of painting, the idea of "drawing color adhere to the inclinations" has already displayed its value and vitalities. Relative to the traditional idea of "drawing color adhere to the type", "drawing color adhere to the inclinations" not only draw on the idea of the former, but also absorbs the west, this idea takes root in the life, with its spirit of "color follow times", it brakes the limit of the ancients, it also keeps the exploration of today. Develop the essence of color, establish its value in heavy colored painting, and show its special magic power, exert the vision advantages in modern heavy colored painting, make this ancient painting of heavy colored painting a new art vitality nowadays.Nowadays, with the strike a pose on the stage and getting the big prize continuously of Chinese heavy colored painting ,people pay attention to the success of heavy colored painting in its color achievement. The man of insight have pay attention to the idea of "drawing color adhere to the inclinations", but, as far as I know, no one coordinates the relationship between "drawing color adhere to the type "and "drawing color adhere to the inclinations", no one analyses the beginning and reasons of theproduce of "drawing color adhere to the inclinations". So, this is the necessity of my researching, this is also exactly the purpose of my investigation.This text takes the variety from" drawing color adhere to the type" to "drawing color adhere to the inclinations" as corner, from two to explain the changes and reason of the concept of color, one is the angle of history, the other is the angle of actuality. In the first part, from the angle of the history, emphasis the traditional cultural meaning of "drawing color adhere to the type", survey and discover its modern value;in the second part, from the angle of the actuality, analysis and interpret the change of from" drawing color adhere to the type "to" drawing color adhere to the inclinations", this is the main contents of this thesis.