On The Subjective And Objective Drawing Color Of Ren Bonian’s Art Works

Based on the Shanghai painter-Ren Bonian’s art works and take his subjective and objective drawing color methods as objects, this paper mainly studies the influence of his free and abundant apply-color methods to the formation of his unique artistic personality and the enlightenment to the creation of Chinese painting as well as the influence to the later generations. Mainly adopted image study method and descriptive study method and supplemented by the method of literature summary, this article reviewed the research status of Ren Bonian’s painting in modern times. From the three aspects of checking the embodiment of Ren Bonian’s subjective and objective drawing color; analyzing the methods of subjective and objective drawing color of the works; summing up the meaning of the abundant colors as well as the enlightment of creating Chinese paintings, I use drawing color adhere to the type; random color painting; drawing color adhere to emotion as my main basis of analysis. Drawing color adhere to the type is an apply-color method that proceeds from desciptive color, decroative color and imagery color with the priority to the objective and subjective after objective. Random color painting started from the aspects of water, color, powder, ink and ect. to explore the subjective color expression of Mogu paintings and Chinese ink paintings. Drawing color adhere to emotion proceeds from the emtion and responsibilities of Ren Bonian that triggered from his living environment and then studies his color exchange to the different emtion raised from various themes.