The Process Of The Temple Fair's Inheritance And Performance Which Is Examined From The Perspective Of Public Culture

This paper taking Hugong Temple Fair' inheritance and performance since the twentieth century in Dusong village in Zhejiang Province' Fangyan town for example.The text try to find out the inheritance and performance pattern of the Temple Fair cultural and how to protect folk faith in about recent one hundred years.This paper mainly analyzes the folk faith's changes from being the public culture in the traditional period to being considered uncultured and bing recognized marginal culture and until recent several years the folk faith try to regress the country' public culture system which is stirred by its application to jion Non-material Cultural Heritage line.The article is based on the perspective of public culture and is described on the clue of the thought reform and society change which greatly affect the status of folk faith since New Culture Movement in the beginning of the 20th century.The full text is divided into five parts:The first part mainly introduces in which reason the subject is selected and the subject's current research situation.This part also introduces how the materials are collected and what is the paper's basic ideas.Finally,it describes the develop situation of Dusong village who is focused by the paper's following research.Part two mainly discusses the development course of Hugong Emperor Beliefs which act as the kernel of Hugong Temple Fair: on the effect of all kinds of forces of modernization since the beginning of the 20th century, Hugong Emperor Beliefs changed from acting as the local people's spiritual to a certain extent to being thought backward and discarded by mainstream ideology and until the eighties of the 20th century the government start to claiming Hugong Emperor Beliefs return people's daily life.This is the process of Hugong Emperor Beliefs vary from missing its public culture status to restore the public culture status.Part three introduces the ritual changes of Hugong Temple Fair and the effect of government and intellectuals make on Hugong Temple Fair rituals.This part is described on the clue of Hugong Temple Fair varying from acting as one part of people's daily life in traditional time to being thought "superstitious" and "Intangible Cultural Heritage" in about recent one hundred years.Part four mainly discusses the problem of how to maintain the cultural performances' authenticity and the problem of being refined in Hugong Temple Fair.appealing that in the course of protecting Intangible Cultural Heritage,we should attach importance to protecting cultural performances' authenticity and lower the possibility of its being refined.Part five is the conclusion.On the base of comparing the text,this part analyse that declare Non-material Cultural Heritage List is a fast lane to make folk beliefs be recognized as government public culture.It also discusses how to maintain Hugong Temple Fair' authenticity on the premise of government intervention.