Right Of Words

This paper focuses on"Right of words—Lv Lue's films show". The freedom of saying is the overall description of Lv Lue's style in his film world. As one of the"the third eye of China Film", Lv Lue has the double status of the fifth generation of cameraman and after the fifth generation of director. As the bridge of the fifth and sixth generation, he brings fresh air and blood into China films in new era, and his contribution to native Film industry is more significant. No matter as cameraman or director, he pursuits the freedom of saying all the time. When he was a cameraman, he worked for many directors by his special and flexible lens language, until one day he was not resigned to be a cameraman who did not have real saying right, but a director who tells stories at his pleasure. The director Lv Lue has the full desire to say, expects the real freedom of saying, and he makes efforts for the integration and innovation of camera and director, art and commercial, native and international, and finally, open up a film road of his own.This paper consists of the following several parts: first, introduce cameraman and director Lv Lue about his life experience and art journey, under the influence of Chinese traditional film culture and Western film thoughts; Second, focus on his vision feature, especially his flexible camera style and free saying style of directing; Third, from Lv Lue's phenomenon, with regard to the transform from cameraman to director of others, summarize the advantages and disadvantages in the course of the transform from camera thoughts to director thoughts. The writer aims to draw lessons from it, and do some contribution to the development of Chinese native film in the environment of diversification and globalization of Film development.