Study On Aesthetic Thoughts About The Visual Language Of Ink Painting Animation

This paper mainly studies the new concept of how the interest aesthetic concept interprets traditional aesthetics and how it recreates in combination with the modern art form in the category of ink painting animation visual language. Interest aesthetics is the combined result of the joint development of aesthetics and traditional Chinese painting. Therefore, this study is an interdisciplinary research with the interest aesthetics as the main clue. It will bring this important concept of aesthetic field into the art form of ink painting animation and make deconstructed analysis; it is a demonstration of the various aesthetic relationships between reality and nature, spirit and psychology, aesthetics and art forms. The "ideographic" function of interest in ink painting animation visual language is essentially a supplement to visual logic, which is achieved through the ways of conveying art image elements symbolism and suggestion. The "interest attaining" function of interest in ink painting animation visual language is achieved through the viewing experience method based on the visual and interactive qualities of the visual image itself. Thus the"meaningful and interesting"art aesthetic experience of interest aesthetics and the dynamic visual features of ink painting animation art form are to be the consistent focus of this study, which is conducted under the supplement of ink painting animation works with beauty-attaining attempts and thinking traces about beauty.Ink painting animation visual language is a perfectly combined art form of Chinese traditional interest aesthetics and modern multimedia technology. It has been given the life in traditional ink painting art forms and traditional interest aesthetics, and thus it has broad development space. This paper starts with the ink painting animation visual language, conducts discussions from the following aspects: visual art form, artistic expression methods, art aesthetic value and the new development trend, and extracts the aesthetic features of"meaning"and"interest". The last chapter interprets, with the new art form, the vitality of traditional aesthetics in contemporary cultural context, from which new revelation and prospect would be displayed. This study is based on abundant previous research theories and practical results. It applies the method of supporting art theories with typical art cases and theoretically interprets and constructs interest aesthetics in the contemporary ink painting animation visual context, from which to explore the evidence, advantage, development and hope of Chinese beauty.