The Subjectivity Research About Nanyang Han Dynasty Stone Of "Symbolic" Image And The Enlightenment Of People-oriented Design Concept

Nanyang Han dynasty Stone is a special form of artistic creation, has been more than two thousand years of history. It is not only Nanyang's outstanding representative of local culture and arts, but also Han dynasty Chinese social and political, economic, cultural, ideological and other comprehensive reflection,which is called an encyclopedia of the Han Dynasty, with a high academic value.In this paper, writing on the first based on the domestic and international academic research on Han stone fruitful results, and to the creation of Nanyang Han Stone --- Artisan main main target for the thesis to the consumption of the main stone relief for the thesis The second object, Stone produced on the history, social background and analysis of the concept of awareness, combined with traditional design concepts of creation, on the subject of Stone and craft process and the process embodied in the concept of thought and conduct in-depth Discussion and discussed.This article from the introduction, the theory and the conclusions of three parts. In the introduction describes some of the major topics of the paper reason, purpose and significance of the study, research status, of the content, the paper value of innovation and research, research ideas and methods. This theory is the core and the main part of this article, from the traditional "Heaven" and the premise of the concept paper trail done by "human" generated in the Han Dynasty in the significance of stone analysis, expand the consumption of the main stone relief discussed - - owner of the tomb, sponsors and the general public, consumer groups and analyze the values and symbolic Stone "symbol" of the relationship between the images. Stone by the consumer leads to the creation of the main focus of research --- craftsmen, through a large number of documents, archaeological data and empirical data, based on arts, sociology, history, archeology, folk art, semiotics theoretical disciplines, such as the support, respectively, from the Stone artisan identity and status, inheritance and innovation of arts, folk art portraits of rock properties and other aspects of the production process of paper. Stone from the main body of research, reflects a "people" sense of the traditional design concepts, namely "days, to air, material beauty, Gongqiao", the paper then discusses the "People" design and "human" design difference and connection and Stone's "human design" concept of modern design inspiration and reference, and analysis of modern design in the "rational" theory and "irrational" On the defect, which proposed the establishment of a "comprehensive" " people-oriented "design concept and design systems. In conclusion, the paper proposes the creation of traditional and modern construction design of the spirit of the bridge, reference and learn from Nanyang Han Stone harmony, system, the people of this design concept, to modern art and design with more inspiration and influence.