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is a important aesthetical paper that Lu Xun wrote in his early years. Nearly all of Lu Xun's main aesthetical opinion were expressed in it. < On the power of Satanical school of poetry> meant that Lu Xun's aesthetical thoughts had initially taken shape. In 1924, Lu Xun translated the Japanese scholar kuriyagawa's aesthetical work and introduced it with great zeal. < The symbol of Depression> refracted Lu Xun's aesthetical thoughts in his middle years to a great extent, with the information got from the comparison of aesthetical thoughts which were expressed in the above-mentioned works, this paper studied the following problems: 1. The different and same between Lu Xun's and kuriyagawa's aesthetical theory; 2. The developing and changing state of Lu Xun's own aesthetical thoughts; 3. To what extent Lu Xun was in influenced by kuriyagawa; 4. In the study of Lu Xun's aesthetical thoughts, how < The symbol of Depression> played its role The conclusions are as following: the aesthetical thoughts that were expressed in < on the power of the Satanical school of poetry> and those in < The symbol of Depression> communicate with each other; Lu Xun's aesthetical thoughts in his early years were interlinked to those in his middle and later years. In their nature; < The symbol of Depression> is the bridge between the aesthetical in his early years and those in his later years.and its influence on Lu Xun is directive.