| The thesis tries to quest what new aesthetic intent and mode in the landscape aesthetic of contemporary and unscramble the writers'spirit world,taking traditional landscape aesthetic consciouness as potential theoretic background. According to this.I sort the aesthetic consciousness in the landscape essays of the neoterics into three groups. I will explain two or three authors in every species. The first species'The world of easy-going and privacy" and the second species "The world of expressing unique nature "all discuss the landscape aesthetic consciousness from the relation between landscape and ego, but the emphases are different. The first species puts great emphasis on the contradiction among the Reasonableness of enlightening and the Disaster consciousness and the spirit of landscape enjoys. Landscape nature make them forget the human life's disaster motion temporarily, Acquire the glad and relaxing mind. The second species puts great emphasis on the process in which The writer maked the ego consciousness be choosed , resisted and disappear in the western romanticism and traditional culture tradition. Yudafu,Xuzhimo and Binxin all maked the landscape be self-expression and romantic. The self-expression of Yudafu was lack of the real modernity, so his aesthetic relation between landscape and the ego is similar with the traditional intelligentsia who Express depressed feeling in landscape. Xuzhimo and Binxin Absorbed individualism, idealism and humanitarianism in the western romanticism . Their aesthetic method materializes mighty self-expression. The first species discusses the landscape aesthetic consciousness from the relation between landscape and life, and analyzes how two writers found the way in which the life exits from the landscape. Fenzhi found the ordinary and simple life. Shencongwen criticized the townie form from the life form in Xiangxi.
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