Research Of Music Fu In Liangjin Periods

In liang jin periods, such literary circles of little fu which generally describes concrete articles began to thrive. As big fu did in han dynasty, many little fu in liang jin periods also took music as the theme and quantity of music fu produced in Hang jin periods was much more than other times. This thesis tries to discuss music fu in liang jin periods from such aspects: origin of music, reason of music fu's thriving, music fu's instructive function, aesthetic standards and expressing, artistic characteristics, and effect of music fu, and so on.Part one traces back on the studies of music fu and divides all the studies of music into two sorts: one sort just mentioned some music fu as the famous works among all the common fus; the other sort studied and analyzed music fu from the angle of literature and music.Part two discusses "shou fa" of as the origin of music fu and narrates several famous music in han and wei periods. We can learn that music fu originated very early and these famous music fu in han dynasty gave apparent effect on music fu in liang jin periods.Part three gives the survey of music fu: about the reason of music fu's thriving, the simple introduction of all the music fu.Part four discusses the "musical instruction" in music fu in Hang jin periods. Gives a narrating of "instruction of manner and music" from xian qin time to wei and jin periods, illustrates the fact that music fu still initiated "musical instruction" when noble spirit's losing in liang jin periods.Part five discusses such aesthetic standard of "upholding sadness" and ways that music fu used to express such sad feeling.Part six discusses the artistic characteristics of music from the angle of structure and rhetoric.Part seven discusses the effect of music fu on literature and music.