| At the turn of the Song and Yuan dynasty, there occurred frequent reclusions sponsored by ci-poets of the survivors of the southern Song. Strong reclusive cultural atmosphere for ci-poetry helped to bring about a grand change for ci-poetry written by the survivors of the southern Song, so to speak, hermit cultural atmosphere do a great deal in ci-poetry creation, and had an immeasurable impact on the ci-poetry written by the survivors of the southern Song. On the part of these ci-poet groups, they conducted themselves to form their own personality types, determined by the reclusive cultural atmosphere, the survivor's ci-poetry show a new and different style in ci-poetry artistic features. So it must learn to know the relationship between ci-poetry and reclusion, as we find ci-poetry at the turn of the Song and Yuan dynasty is always blended with the reclusion.A study of the influence of reclusive culture on ci-poetry is important to understand the features of ci-poetry written by the survivors of the southern Song. For the reclusive reason, BaiShi made the spirit of Sao and Ya the highest aesthetic standard of ci-poetry. At the turn of the Song and Yuan dynasty, by the same reason, it's easy to understand why the survivors of the southern Song drew close to BaiShi who constituted a new model, the whole development was a matter of reclusion which have an effect on ci-poetry,the impact of reclusion on ci was bound to decide and develop the aesthetic idea of ci-poetry of the southern Song survivors.There are four chapters in this dissertation.The first chapter compares the early ci-poets with the survivors of the southern Song dynasty, depicting the reclusive cultural atmosphere for the survivors of the southern song dynasty. At the same time, it examines various implementations and significance of reclusion on the ci-poetry written by the survivors of the southern Song dynasty.The second chapter discusses the ci-poetry's subject and theme which closely related to their reclusive careers, the changing of their life experiences, the then social, political and cultural background. The survivors' reclusive culture careers and living conditions took great effect upon their ci-poetry creation. By examing relationship between ci-poetrys' contents and reclusive culture atmosphere ,it finds out different types of ci-poetry written by the survivors of the southern Song dynasty. due to the background of the turn of the Song and Yuan dynasty, the survivors' personality and ci-poetry of the southern Song are seen as an outstanding example of their time ,the ci-poetry on objects became a fashionable subject category, mental agony of country conquered and family ruined caused ci-poetry poetrization and refinization become a vogue.The third chapter works on artistic features of Ci written by the survivors of the southern song, mainly including new literary theoretical discourses that appeared during the period. By analyzing the artistic features of ci-poetry written by the survivors of the southern Song, it find out reclusive cultural atmosphere have close affinities to the ci-poetry creation of the survivors of the southern Song. only when it came to the end of the southern Song and the beginning of the Yuan dynasty, were aesthetic interest of ci-poetry practically transferred from "erotology" to "Sao and Ya",and came into being a large group of ci-poets who were fond of such kind of aesthetic interest, such as ZhangYan ZhouMi,WangQisun and the like, who develop especially the expressive methods of "vacancy"and"straining force" formerly used in BaiShi.The significance of principle of "vacancy" and "straining force" adopted in the ci-poetry written by the survivors of the southern Song, surpassed the stylistic one of two principal schools of ci-poetry,i.e.those of "gallant" and "elegant" styles.The fourth chapter is mainly concerned with the influences ofci-poetry written by the survivors of the southern Song through reclusive cultural atmosphere, these influences are positively responsible fo...
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