| People has not paying attention to Song dynasty's lishu , historians of calligraphy have not mostly commented cfc it . In fact , in Song dynasty , the lishu had not disappeared . Especially with the formed of atmosphere that restore ancient ways in later stage of Northern Song dynasty , the lishu is paid more attention to , and the number of people who researching and studying lishu increased . The lishu of Song dynasty was not as much not worth mentioning as what people usually thought . People's lishu aesthetic standards and practice achievement of Song dynasty are totally different with Yuan dynasty's and Ming dynasty's.With the works of Song dynasty, this thesis put in order and publish the situation about lishu aesthetic standards of Song dynasty's people , and researched calligraphy phenomenon that have not been paid attention to , such as the ornaments and fat trends of lishu in Song dynasty initial stages , the atmosphere taking Han dynasty's lishu as the fashion in later stage of Northern Song dynasty , studying non-famous calligraphist's works and the "decorations" to lishu of Han dynasty by these scholar calligraphist's of the Southern Song dynasty . The thesis announced and published the relation with social culture backgrounds and aesthetic standards of people in Song dynasty , and through discussing the phenomenon of studying non-famous calligraphist's works , proposed how to treat the question of the classical system of the calligraphy.With the research of people's lishu aesthetic standards of Song dynasty , we can see the great change took place in people's lishu aesthetic standards of Song dynasty that from ignore lishu in initial stage of Song dynasty to treat lishu as the fashion . Under the guide of the idea that Han dynasty's lishu are fashion , Song dynasty's people built the good atmosphere needed in development of the lishu , and has made some achievement in practice .Song dynasty is an important stage on the development history of the lishu , the exploration on the lishu theory and practice of the people of Song dynasty has a position that can't be ignored in history of the calligraphy . The study on lishu aesthetic standards of people of Song dynasty can announce out the basic development situation of the lishu of Song dynasty . Help we reappraising the trend that restore ancient ways in Yuan dynasty and the atmosphere of studying lishu rose again in Qing dynasty from historic significance . There is some inspiration on the development of the contemporary calligraphy too . |
