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The Echo Of Blood Vessels

Posted on:2006-10-14Degree:MasterType:Thesis
Country:ChinaCandidate:Y TianFull Text:PDF
GTID:2155360155456316Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
Light is colour's morther, Light —the first phenomena in the wold, we can see the wold's consciousness and liveliness soul from colour. This is anofher landscape with colour's view point to see the traditional Chinese paint of mountains and water.The thesis analyze the traditional Chinese paint's colour featrues, status and developing process from it's consciousness's emblem, mental state and human existence. In the traditional Chinese painting, we can perceive "the coveing with colour" is not colour, Chinese painting's colour view in interdependence nature, social, cosmos and human existence.In the traditional Chinese paint of mountains and Water, Colour had been display from colourful to colourless, colourless to colourful and to colourless course again when it's colour's succession from symbol, imagery to human existence. This is not only colour's spontaneously development law, also people's leap of perception. It has positive effect on the active Chinese paint of mountains and water's in vention.The colour art's normative and aesthetic conception is not invention fallacy. It is the nation and country's mental concrete crystallize and estrangement. It mobility in it's morther subiect' s blood vessels, Artist must express the same blood vessels. From another point of view, artist's creative work have more permanent's merit if he sympathy for his time's main culture current.
Keywords/Search Tags:Traditional, Chinese paint of mountains and water colour art, emblem, mental state, human existence
PDF Full Text Request
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