Analyse The Consentration Of Scholar Arts To Natural

As far as we know, art, also called "plastic arts", is a ideology of social. As a kind of plastic arts, traditional Chinese painting highlighted the creation of the form of objective world all the time. In the ancientry, there had some famous thesis such as Gu Kaizhi, Xie Hao, Jing Hao. In latter-day, there also had some famous thesis such asQi Baishi, Xu Beihong, Fu Baoshi.It is believed that Drawing of Scholar emphasized on "express the scholar", beated the drum for "temperament" and pursued "lyrical and solemn" all through the ages. However, they ignored "Form", previous study on Drawing of Scholar mainly restricted to the representation of interest, very a few of them paid their attention to the artists' attitude of the nature.The theoretics of ancient Drawing of Scholar of china stemmed from Wei dynasty, Jing dynasty and NanBei dynasty. YaoZui became the center of Drawing of Scholar, artists of past dynasties respected it as the tenet of painting. ZongBin "express the scholar" and Wang Wei emphasized on the emotion part during the indite.During the Tang dynasty, Wang Wei use wash to painting, combined with peotry, this provided direct criterion of art for the development of Drawing of ScholarHowever, during the Bei Song dynasty, thoughts of Drawing of Scholar began to leading the art, and have the same status with royal drawing and unroyal drawing, then, it passed through Yuan dynasty, Ming dynasty and Qing dynasty. Based on the theory of "Drawing of Scholar" which was proposed by Shu Shi, Dong Qichang proposed that paintings should divided into nouth and south Drawing of Scholar, the concept of Drawing of Scholar was formally proposed and used. During this period, the status of south Drawing of Scholar was established and became the highest cognition of painting. Meanwhile the concept of express emotion was highly regarded. Therefore, some of the artists take the body lightly; their emotion had no place to express, and lost the external carrier.This paper studied the artists' attitude of nature and its relationship with art by analysis the attitude of some Drawing of Scholars represented in their thingking. Then, it illustrated how did the artists pay their attention to nature and express nature, and how did they use nature as the carrier of pens and inks. This part mainly analysed the work and the presentation of Dong Yuan, Ni Yuanlin, Jian Jiang and ShiTao. It proved that Drawing of Scholar paid great attention to the nature when they express their Interest and Charm.At last, it point out the operation significance and the enthusiasm that made the Drawing of Scholar paid their attention to the nature.